Friday, May 3, 2019

Mixed Media: ‘The Low Road’ (2013)

The Mixed Media column from the July 2013 issue of the Socialist Standard

The Low Road’ by Bruce Norris

The Low Road by American playwright Bruce Norris was recently produced by Dominic Cooke at the Royal Court Theatre in London. The play seems inspired by 18th century picaresque novels such as Candide by Voltaire, Tom Jones by Henry Fielding or more probably Thackeray’s work The Luck of Barry Lyndon.

The Low Road is the low road of profitability rather than the high road of principle, and the amoral anti-hero Jim Trumpet played with viciousness and without any charm by Johnny Flynn follows the former course in pre-revolutionary America. Jim expounds the economic individualism of Scottish political economist Adam Smith. Smith is himself the narrator and part character in the play and is played with relish and Brechtian flourishes by Bill Paterson.

Jim quotes Adam Smith from his seminal work of bourgeois political economy The Wealth of Nations: ‘every individual endeavours as much as he can to employ his capital in the support of domestic industry. He neither intends to promote the public interest, nor knows how much he is promoting it. He intends only his own gain, and he is in this, led by an invisible hand to promote an end that was never part of his intention. Nor is it always the worse for the society that it was no part of it’. To which Norris adds ‘and once his prosperity is thus achieved, the rest of the damnable world can stick it up their fucking arsehole’. Marx identified that to Adam Smith ‘the means of production are to him from the outset ‘capital’, labour is from the outset wage-labour’.

Jim is forced to avail himself of the ‘christian communism’ of the New Light of Zion Colony where he engages in arguments with the congregants; ‘for if one’s coins sit idle there can be no growth, and without growth there can never be profit’ to which Constance replies that ‘all profit is theft’ and ‘to take from each, according to his ability’ is the mantra of the colony. Constance sees Jim’s financial dealings as ‘usury, money-lending and Jesus drove the moneylenders from the Temple’ but Jim believes ’tis speculation, finance and Jesus was an asshole’.

Constance says of capitalist society; ‘there never was justice in this world. There was only ever violence and gold’. The Low Road is witty, perceptive, indeed it is a rip-roaring blast and a very clever take on the nature of capitalism. Constance’s parting words to the capitalist ideology of Adam Smith personified by Jim Trumpet are ‘Damned be your soul and damned your fucking lies’.
Steve Clayton

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