Showing posts with label Digital Media. Show all posts
Showing posts with label Digital Media. Show all posts

Saturday, January 26, 2019

Northern Exposure (2017)

From the June 2017 issue of the Socialist Standard

Socialists have a long history in the north of Britain. The Party’s first ever meeting was in Bolton, Lancashire. To many people, the north conjures up images of slate-grey skies, broad drawls and coal faces, ranks of pokey houses stretching down hillsides, wasp-tongued matrons, factories, fog and squalor. It’s an old stereotype now permanently fossilised into a soap opera, but in truth you can still find traces of it if you go to some north-western former mill-towns on a bad weather day.

The north was certainly grim once. Slum clearances beginning in the 1930s gave way to out-of-town ‘modern’ housing estates and tower blocks in the 1950s that became the new slums, their windswept Brutalist architecture growing graffiti, syringes and crushed Special Brew cans like urban weeds. The pubs closed in all the poorest areas as cheap ‘offies’ stole their business and communities disintegrated to the point where even the concept of ‘community’ disappeared. Sink-estate lad-gangs exercised their ire on each other in mass battles while litter filled the streets and parks like tumbleweed, left by people with no cause for civic pride. Mothers called their wayward children in for tea with the universal war cry “You! Fookin’ get in ‘ere, now!” On Friday nights at chucking-out time the streets filled with strobe-flashing squad cars and riot vans. Not that the north was anything special in that respect. The same scenes could be found repeated all across the south like a low-rent franchise chain. The Sex Pistols, a London band, captured the mood of the country in enraged 4-chord rants and razor-slashed fashion statements. If the 1930s was ‘Love on the Dole’ the 1970s was just the dole. In the Thatcher years that followed, the rage boiled over.

Socialist Party members went out postering for meetings with buckets of wallpaper paste and brushes, furtively throwing up hand-drawn posters while keeping a lookout for coppers. Risking arrest was part of the deal. Splattered in sticky slop we afterwards went and had a pint of fizzy keg ale until the nerves had subsided, hoping the meeting attendance would justify the effort, though often it didn’t. Every available wall and window of every closed-down shop was festooned with layers of posters, the new atop the old, screaming the political life of the towns, the concrete and sheet-steel social media of the 1980s. We had an ‘honour’ policy not to cover over in-date posters from other groups, even the Trot groups, though they didn’t always return the favour. We took the Socialist Standard round the pubs, selling dozens of copies to half-pissed would-be rebels, disaffected Labourites and the occasional bemused National Front supporter. Meetings reflected the age – fiery speakers and no-quarter rhetoric – which visitors either warmed to enthusiastically or cowered from in fright. It was crude, and sometimes as ugly as the concrete shopping arcades. But there was no doubt that it was alive, that the towns were alive, that politics had two fists and was prepared to use them.

And then it all changed. A creeping gentrification took over the country. Our council stopped the flyposting with a simple trick. If you flyposted a meeting for a named pub, the council threatened to fine the pub £400, and £40 for every day the posters stayed up. The pubs promptly panicked and refused to host any political meetings. Fearing retaliation by far-right groups, the pubs also banned paper sales. Councils started refusing to allow paper sellers on the streets, ordering the police to move them on, while privately-owned shopping precincts insisted on trading licences which they then refused to grant. The handful of council-maintained public noticeboards, now the sole locations for legal advertising, became warzones of competing groups. All ‘honour’ policies went out of the window in a Darwinian fight for exposure. Finally the council, reacting to alleged citizen complaints that the noticeboards were unsightly, removed them altogether.

Complaints to our local council about the dereliction of their civic responsibilities yielded the response: “Why don’t you use the internet?” Yet when the council wanted to advertise its own programme of arts events it ignored this passive medium and instead planted giant billboards mounted on lampposts all along the main thoroughfares. Calling attention to this hypocrisy had no effect. Asked who at the council was responsible for the implementation of the Local Government Act which included a responsibility for community group support, council staff had no clue, and less interest. They didn’t much care that local groups could no longer advertise their meetings to the general public. It wasn’t their concern if the democratic process had effectively been silenced. People preferred their home videos anyway, didn’t they? No wonder public meetings went out of style, and radical politics went underground.

Nowadays, when you look at some parts of the north, you see an aspiration to ape the more prosperous bits of the south: private houses which were once council houses, expensive cars in drives, well-kept lawns, litter-free streets, boutique shops, gastro-pubs, hair and nail bars, upscale vernacular new build, and money. But the walls and the windows are blank and silent. Nobody has got anything to say, or any way to say it. Everywhere the debate has moved online and left the quiet towns to their dormitory slumbers. The physical landscape has been lobotomised in the interest of taste, of civic pride and good appearances. A digital generation has grown up with no experience of public meetings, and no exposure to open debate. Instead, all the talk today is of virtual echo-chambers where people only hear the sound of their own opinions reflected back at them. Even where people still gather in the few remaining pubs, they’re all simultaneously on their phones as if checking in with a higher power. If they talk at all, it’s mostly a confection of airy gossip, TV catch-ups and supercilious wise-cracking. People don’t want to argue politics because they don’t want to upset anyone, because it’s more important to have friends than to challenge them. Victorian taboos have returned for the Facebook era.

This is the creeping censorship of the modern capitalist elites. This is how they win, not with well-marshalled facts and arguments, because they haven’t got any, nor even with ‘alternative facts’ and bogus propaganda, because people are learning not to trust them. They win when they seduce us into a suffocated torpor, our class consciousness sapped by attention-deficit amnesia, our hunger for change sugar-soaked in celeb culture, vacuous clicktivism and pseudo-radical posturing. They don’t have to be right, they only have to shut us up with a barrage of noise until we forget that we had anything to say.

Times change, fashions change, but the class struggle is still the class struggle, and we are still there, even if we’ve given up the sticky paste and brushes and the crappy hand-drawn posters. We’ve had to find other ways to operate, but we still meet and discuss and we still manage to have a laugh or two along with it. Capitalism won’t give up, but neither will we. So here’s our message to new readers. Wherever you are, north or south, if you’re the kind that doesn’t give up, come and find us, help us, and join us. It’s the only thing that will work. In the end, it’s how socialism will win.
Paddy Shannon

Thursday, January 4, 2018

TV Review: The digital watch (1999)

TV Review from the December 1999 issue of the Socialist Standard

It is a sad fact that as the 1990s come to an end most viewers and critics think that the standard of television output has been lower in Britain during the last decade than at almost any other time in living memory. The sixties had The Avengers and The Prisoner, the seventies had Dad`s Army and Fawlty Towers, the eighties Only Fools and Horses and the "golden era" of British soap—but what did the nineties have?

The television industry in Britain, previously cited as the best in the world, has lost its way at the same time as the entertainment industry the world over has seen a dumbing down of its output of truly mammoth proportions. While almost everyone now concedes that the quality of TV programmes has dipped, there is, bizarrely at first sight, far more TV about than ever before. Indeed this may appear to be one of the problems.

Not only has quality perceptibly fallen, the quality that remains is now spread across a myriad of different channels. Today, despite the ongoing technological revolution in broadcasting, there is probably less new, quality TV across the sixty or seventy channels now available than there was across just three or four channels in the past. Broadcasting in the UK is now spreading itself very thinly indeed, and it shows.

There are two main reasons for this, both of them connected. One is the arrival of satellite—and now digital—television. Digital television service provision in the UK is currently a duopoly. It is an industry dominated by Digital Sky Broadcasting and its newer rival OnDigital, though as with most duopolies there is a fair degree of collusion and co-operation between the two. As digital TV is not restricted by the technical limits imposed by the normal UHF television waveband, they have been able to multiply the provision of TV channels in Britain several times over, presenting their subscribers with pick-and-choose portfolios of channels dedicated to drama, comedy, music, sport or whatever may take their fancy.

Unfortunately, these channels are heavily dominated by advertising in the main, even more so than their terrestrial rivals. Some of them undoubtedly provide a good service for the sections of the TV audience they are marketed at—Sky Sports being probably the most obvious example—but they generally offer low-grade television and repeats of popular old favourites such as those now offered by UK Gold and Granada Plus. Even Sky`s in-house Channel, Sky One, offers next to no new programming at all. It is recycled fayre, cheap and advertising-driven, with the bottom-line of one of the world`s biggest multinationals rarely out of sight and mind.

Down, down, deeper and down 
The other reason for the spread of low-quality TV has not been so intrinsically related to the arrival of new technology. Instead it is a phenomenon reflective of what is happening right under our noses in capitalist society. This is the lack of social cohesion and direction evident in a society now based on little more than the commodification of our everyday lives and the anarchic rule of the market.

Not only is there a lack of a coherent future for people to forge or identify with today and for programme-makers to tap in to, there is even a lack of a shared sense of past too. As society becomes more disparate, its members more "classless", isolated and bombarded by a sustained attack of cultural ephemera, "market segmentation" becomes all important: commercial exploitation based on the sustenance of diversity and division in previously homogenous markets. Class is no longer important in this scenario, instead we are defined by the lager we drink or the shade of lipgloss we wear.

As a result of all this only two types of new programme get made with any frequency. These are either highly specific, and necessarily low-budget programmes aimed at the plethora of culturally transient activity in existence at any one time, or generic blockbusters of various sorts aimed a mass audience on the basis of the rule of the lowest common denominator—trashy dramas, increasingly repetitive soaps and anything else which, whether by chance or design, achieves a high enough market share to warrant being flogged to death, from docusoaps to celebrity cookery programmes.

Hence the state of UK (and indeed, world) broadcasting at present—a massive proliferation of channels with a parallel proliferation of trash. Finding low-grade dross or endless repeats is no real problem now, finding new quality programming which has required some sort of sustained investment most certainly is.

Of course it need not be like this. Digital television in particular offers huge scope for the democratisation of broadcasting, with hundreds of channels catering for all tastes and perspectives, properly produced and free from the dead hand of the advertising people. Perhaps at some point in the new millennium society will be able to mould and create a worthwhile broadcasting system which is a fitting use of the advanced technology now at our disposal, and which can inform us, entertain us and empower us in equal measure. If the market economy is to survive for much longer though, we shouldn`t really be counting on miracles, should we?
Dave Perrin

Tuesday, November 7, 2017

Clicktivism (2013)

Book Review from the July 2013 issue of the Socialist Standard

Digital Revolutions: Activism in the Internet Age, by Symon Hill. New Internationalist Books

The title of the book is self-explanatory, unlike the chapter titles such as Chapter 4 ‘We are Next!’ It focuses on a short period but in comprehensive detail. The back blurb explains that the book ‘takes a detailed look at the uprisings that have rocked the world since 2008 and looks at the part that the new media have played in their unfolding.’ There is a degree of presumption about the reader’s politics (and a whiff of reformism) when early on it reads, ‘In 2008, an economic crash exposed the truth of a system in which the wealthy benefit and the rest of us pay for it,’ and ‘corporations have continued to wield unaccountable power,’ and later on ‘something was very wrong … bankers had gambled with money that they did not own.’

The main crux of the book is a riposte to both digital luddites and digital utopians (who Hill labels extreme and ‘two ridiculous arguments’), aiming to strike a balance between the two. To the digital utopians Peter Tatchell, writing in the Foreword, observes ‘Digital Revolutions do not make social revolutions in and of themselves.’ Symon Hill writes, ‘There are cyber-utopians who attribute the Arab Spring, Occupy Wall Street, and anti-austerity campaigns and other global movements entirely to technology … with little, if any, reference to the economic factors and human complexities that have triggered unrest, protest and change.’   ‘At the other extreme of the debate are those who think that the internet has made no difference at all … Some even argue that the internet is undermining activism.’ Click ‘Like’ if you agree, presumably.

Ironically, Hill fails to mention, it’s the digital-luddites who are a newer phenomenon than the digital-utopians. Twentieth-century digital-utopians argued that the CIA-funded Radio Free Europe would topple the Soviet dictatorship, or that satellite TV would topple post-Cold War dictatorships.

Hill, associate director of the leftwing Christian think tank Ekklesia, writes ‘The core principle with which I have approached the book is not a belief about the internet but a conviction about power. Liberation comes from below and never from above.’ Why social change does not come from above could be an interesting discussion, but convictions need no explanation: ‘This book does not focus on presidential campaigns or Wikileaks, important though they are.’

To his credit, he goes on to acknowledge that power from below has in the past and can in the present and future challenge unjust and oppressive systems. He first mentions the printing press and its effect in the 17th century, but throughout, there is care taken to argue that the cause has been economic, not technological. He even goes so far as to agree with another writer that there is no causal link between social protest and communications technologies.

He refers to Tim Gee's model of counterpower, in which movements can use 'Idea Counterpower', 'Economic Counterpower' and 'Physical Counterpower' to challenge the power of ruling elites and argues that the internet is relevant to all three forms. One might be inclined to agree with the digital luddite Evgeny Morozov (writer of The Net Delusion: How Not to Liberate the World) who argues that the internet is counterproductive for building physical counterpower. Hill does not overstate his case, quoting critics of net utopians who thought camera-phones would reduce police brutality.

Some obvious advantages are pointed out, for example the ability to rapidly organise and assemble via Twitter using locations revealed at the last minute without requiring leaders to issue instructions, an ability which favours non-hierarchical horizontalism networks with no ‘ringleaders.’  Although all 145 UK Uncutters who occupied Fortnum and Mason were arrested and locked up overnight, Pussy Riot have been imprisoned for much longer.

In fact, you begin to suspect problems with the organisation and the politics (irrespective of the internet) when you read passages such as this, that after police had responded with water cannons and tear gas ‘... the Tahrir protesters met to talk about their demands. Some seasoned activists [thought that] things should be taken in stages … Socialist [sic] campaigner and blogger Gigi Ibrahim explained ’but the people around us in Tahrir Square, the majority who didn't belong to any political group, were chanting for the removal of the regime. So we knew at that moment that we couldn't ask for less … Several hundred activists are thought to have been killed.’ This was all back to front, taking action first, then establishing minimum (not maximum) demands afterwards.

The interests of powerful minorities have always been opposed to democracy and equality. ‘Astroturfing’ refers to political, advertising, or public relations campaigns that are designed to mask the sponsors of the message to give the appearance of coming from a disinterested, grassroots participant. Although Hill is critical of astroturfing's success, with questions over the Arab Spring and the closure of London Indymedia, one can't help wonder whether the internet as a tool still favours the powerful. Hill uses Marx's class analysis favourably, to ‘go beyond clicktivism (online activism)’, which is touching on the real cause of social change, class struggle.
DJW