Running Commentary: Property-Owning Democracy? (1987)

The Running Commentary Column from the March 1987 issue of the Socialist Standard

Property-Owning Democracy?

Remember the Tories' 1983 election promise of turning Britain into a "property-owning democracy"? The prospect of "owning” their own house was undoubtedly an attractive proposition to many workers fed up with the insecurity of renting their homes from unscrupulous landlords or penny-pinching councils. However for many the dream has turned into a nightmare. As fewer council houses are built and fewer properties are available to rent, many people have been forced to "choose" a mortgage, which the building societies have been only too pleased to give them.

But having encouraged people to become home owners, the government has now decided to punish those home-owners who have the misfortune to become unemployed. New rules have just been introduced which will mean that anyone who becomes unemployed will have only half their mortgage interest paid while they are in receipt of Supplementary Benefit and only for the first four months of unemployment. Under the old rules all the interest (but not the capital) was paid. This is bound to increase the rate of repossessions. Already one in ten homeless families are homeless because their home has been repossessed due to mortgage default.

Families faced with the prospect of unemployment and inability to pay their mortgage may decide to sell up to avoid arrears and repossession. If they do, however, the local authority would have no obligation to rehouse them since they would be deemed to be "intentionally homeless”.

For workers in this situation the security promised by the slogan "property-owning democracy" has turned out to be as illusory as it is for those who depend on paying rent in order to keep a roof over their heads.

It Pays to Advertise

It is even more profitable if you can get someone who has nothing to gain to pay you for the privilege of so doing!!

Strange as it may seem, the same person who objects strongly to paying a few pence for a carrier bag printed with the name of a supermarket, will pay pounds to advertise something else.

Guinness started the fashion years ago. In return for a cheque made out to them for the correct amount (something like 20 guineas if memory serves) you would receive a sweater with 'GUINNESS' — not even the toucan —  emblazoned across the front. Today for £18.95 you may buy a plain wool sweater by post; this price is already considerably higher than for a similar garment bought across the counter. However, for only an extra £ 1, you can have' The Times' discreetly embroidered on the left-hand side. Of course, if you don't have the odd £20 to spare, you can go downmarket and buy a Coca Cola — or if you prefer, a Pepsi — T-shirt. Slightly upmarket again, you could, in gold on black, advertise Biba. If you really want to dredge the bottom, feature the Sun with the screaming front page headline 'SID VICIOUS DEAD. Punk Star Killed By Overdose'.

One T-shirt we have not yet seen is the one advertising the fact that we are all being killed by an overdose — of capitalism!


Gorbachev the democrat?

"We need democracy like we need air to breathe", said Gorbachev in a speech to the ruling Central Committee. What he means by "democracy" is that there will be more than one candidate standing for office in elections and a bit more public debate with officials prepared to admit from time to time that things occasionally go wrong, that there are shortages and production quotas aren't always fulfilled.

Well it's better than nothing. But no-one should be conned into believing that the new, reforming Russian leadership is really concerned about giving ordinary Russian workers a voice in decision-making. What Gorbachev is undoubtedly concerned about is the failure of the Russian economy. Giving people a little in relatively unimportant areas is a time-honoured way of getting them to give back a lot more.

If Russian workers are made to feel that they do have a voice, that they are listened to, then it is quite possible they will be conned into working harder and producing more wealth for the Russian ruling class. A little bit of political liberalisation will not affect the fundamental division of Russian society into those with wealth and power and those without, unless Russian workers recognise that fundamental division and then exploit the small window of opportunity that Gorbachev has opened for their own political ends.


Bullets on the beat

Officially Britain has an unarmed police force. Unofficially things are rather different. A curious incident involving a car chase down the M1 which ended when the car being pursued ran out of petrol and shots were fired, led to revelations that for the past eight years traffic police patrolling the Nottinghamshire section of the M1 motorway, the A1 and Nottingham city centre have been carrying guns.

Charles McLachlan, Chief Constable of Nottinghamshire, said at a press conference:

  The vehicles are double-manned and weapons are carried in a locked container in the vehicle. They are two pistols, a pump-action shotgun and body armour. They are not allowed to take these weapons from the container which is permanently locked, without approval from a senior police officer.

No doubt this was meant to reassure people. But these words sound rather hollow given the trigger-happy mentality of certain armed police as shown by a series of tragic incidents over the last six years in which people have been "accidentally” shot by armed police.

One of the most disturbing aspects of the militarisation of the police is that the decision to arm police officers is not taken in public after debate and discussion but instead is made behind closed doors by the police themselves. As such decisions are deemed to be "operational" even the elected police authorities, to whom the police are nominally responsible, do not have to be consulted or even informed.

Action Replay: Kitted Out (2012)

The Action Replay Column from the March 2012 issue of the Socialist Standard

Many supporters, especially in football and rugby, like wearing the same shirts as their clubs wear, perhaps with their own name on the back. And kids in particular want the very latest design, not last year’s, which is why clubs often change their shirts every season or so. Teams may well have two or even three designs and colours to cope with potential clashes when playing away.

A recent absurd example of a sports goods company cashing in on shirt-mania was to do with the kit of the British team (Team GB, as they’re called) for the 2012 Olympic football. Late last year, Adidas released a ‘commemorative shirt’ for supporters. Mind you, it’s not the one the actual team will be wearing when they play. It has a nice design, with union jack, lions and Britannia. It costs a nice £52, so the company will no doubt make a very nice profit out of it.

And just as you can buy cast-offs from some singer or film star, you can even buy the actual shirt worn in a game from some years ago – at a price, of course. For instance, the shirt ‘believed to have been worn’ by Alan Hudson for Stoke City in 1975–6 was recently available from an online company for £499.99! As their website says, ‘why not make yourself stand out from the crowd with a vintage football shirt and relive the old times, and have a great investment for the future too.’ 

Paul Bennett

Exhibition Review: Fashion and Fighting (2016)

Exhibition Review from the August 2016 issue of the Socialist Standard

One First World War poster proclaimed that it was unpatriotic to dress extravagantly during wartime. This was mainly, if not exclusively, aimed at women, of course. Now an exhibition ‘Fashion and Freedom’ at Manchester Art Gallery looks at some of the ways that the war affected women’s clothes and other aspects of their lives.

As one and a half million women joined the industrial workforce, the need for looser clothing became clear, even though there had been plenty of women workers previously. The tight corsets of previous decades were hardly practical, though some changes along such lines were already taking place (and women cotton spinners had worn shifts at work anyway, because of the heat); the war accelerated these changes, rather than initiating them. By the 1920s more women were wearing make-up and sporting simpler dresses with hemlines up to the knee, as well as smoking cigarettes and being able to vote.

The exhibition consists of four sections. Examples of clothes from the first part of the last century are displayed, though one question not raised is whether most of these were the reserve of richer women. Some well-known modern women designers show pieces inspired by working women from the war period. A couple of these make use of the colour yellow, with reference to the way that working with chemicals such as TNT turned women’s skin yellow (the disease was known as toxic jaundice, and could be fatal). Also, some fashion students have produced designs of their own, and some short films reflect on changes brought about by the war.

A few miles away at Salford Quays, the Imperial War Museum North is staging a larger exhibition ‘Fashion on the Ration’, looking at the impact the Second World War had on fashion, primarily but not exclusively that for women. Many people on the home front, perhaps as many as ten million, wore uniforms, for instance for the Auxiliary Fire Service. In some cases these were the first set of new clothes they had ever had. The uniforms of sailors in the Women’s Royal Naval Service (the ‘Wrens’) were apparently seen as particularly smart, though it must be debatable whether this really served to attract more recruits, as is suggested.

To avoid price rises and the poor being unable to afford them, clothes were rationed from June 1941. ‘Make-Do and Mend’, with clothes being repeatedly repaired and re-used, became official policy in 1942, but had been in fact practised for a couple of years before. ‘Utility’ clothing was produced the same year, with leading designers employed to make these standardised garments rather more stylish. Clothes had to be largely unadorned, with men’s jackets limited to three pockets and three buttons, and no turn-ups on trousers. Elastic was in short supply, but could be used in women’s knickers, and silk stockings were particularly missed. No coupons were needed, though, for the clogs often worn by munitions workers.

Cosmetics continued to be produced, though in smaller quantities, as a way of keeping up morale. Manufacturers and retailers managed to cash in on new kinds of demand such as handbags with room to keep a gas mask, and white hats and shawls to make the wearer visible in the blackout. As in the First World War, clothing became more relaxed and informal, a trend continued after the war with the ‘New Look’ from Paris, though clothes rationing continued till 1949 and the Utility scheme till 1952. Both exhibitions make it clear that even in times of extreme austerity, people will do their best to maintain some self-expression and individuality.

Alongside her design at the Manchester Art Gallery display, Vivienne Westwood writes, ‘Our rotten financial system creates poverty for the many, riches for the few. We have a war economy. … We now know that this system – and the arms trade – helps create climate change – we are facing mass extinction. Fight the system and replace it with a green economy.’ Westwood’s politics might be politely described as confused, but this at least shows some attempt to see through the standard view.  

Paul Bennett