Exhibition Review: The Sea Is the Limit (2018)

Exhibition Review from the August 2018 issue of the Socialist Standard

With a title that refers to the saying ‘The sky’s the limit’, York Art Gallery is currently running an exhibition dealing with issues of migration, refugees and borders, on until early September. It contains works by a number of artists from various countries, using several types of installation.

The sea can be both a barrier to travel but also a means of escape, and the works on display refer to both these concepts. Nidhal Chamekh (who is from Tunisia) emphasises the barrier aspect with drawings of the refugee camp in Calais, including tents and other self-built shelters. Nick Elwood depicts those who live or lived in this camp, focussing on them as individuals rather than just as part of the influx of migrants that so scares some people. As a reminder of what some people are escaping from, Brian Maguire displays paintings of ruined buildings in Syria, which show graphically the devastation caused there by many years of fighting.

Brian Maguire - Apartments Aleppo 2016

Halil Altındere offers a novel idea of a ‘Journey to Mars’, using a virtual reality headset to show a possible sanctuary for refugees in space: demonstrating perhaps how unrealistic some of the demands of those who want to clamp down on migration are.

It is not a large exhibition but it is a thought-provoking one. In the library at Manchester Metropolitan University is another small but informative display, ‘Oceans Apart’, dealing with transatlantic travel between 1870 and 1940. The direct link to the York exhibition is that of emigrants, many from Ireland, who travelled in crowded conditions in ‘steerage’. At one time such migrants were welcomed as a way of populating the unworked fertile lands of the so-called US cotton states, but later it was claimed that many of them lived in unhealthy conditions in the big cities.

In contrast were the grand tours for the wealthy, on liners run by companies such as Cunard and P&O, advertised on colourful posters, a variety of which are displayed here. The ultra-rich passengers enjoyed suites with their own bathrooms, a far cry from the crowded conditions endured by most travellers.

Paul Bennett