Che and Violence (2012)

Theatre Review from the October 2012 issue of the Socialist Standard

Dirty Market are a theatre collective based in South-east London who have adopted bricolage techniques for their productions, and their most recent Be Good Revolutionaries took place at the Oval House Theatre in Kennington, London. The sources for Be Good Revolutionaries are the last letter of Che Guevara to his children, Crime on Goat Island by Ugo Betti, and  Brecht’s Mother Courage and Her Children.

Be Good Revolutionaries is set in the claustrophobic world of a jungle hideaway in Latin America in 1967 where a rebel leader's wife Anna (a formidable performance by Juliet Prague), and her two daughters and one son live. Into this world comes a stranger who appears to know the long-lost leader. The stranger is a ‘Martin Guerre’ character who intrudes like in the Betti novel, but his presence is disastrous like in a Roman Polanski film.

Be Good Revolutionaries is reminiscent of Brecht’s Mother Courage where the devastating effects of war are portrayed, and Brecht points out the utter blindness and futility of those hoping to profit by it. Dirty Market have adopted Brechtian techniques for this production, demonstrating the ‘estrangement’ effect by using singing and music to interrupt or comment on the action. This is memorably performed by musician-singer Rebecca Thorn.

The production is noteworthy for the design by Susan Sowerby of the Mexican ‘los dias de los muertos’ artwork, ‘ofrenda’ shrines, skeletons and ‘calavera catrinas’ which give the performance the necessary ‘latin’ American ambience. This is augmented by the choreographed movements of the children, a soundtrack of flutes, Rebecca Thorn’s accordion, gunfire and helicopter rotors which bring to mind Coppola’s Apocalypse Now and Christopher Bruce’s modern ballet Ghost Dances which featured the Chilean folk of Inti Illimani. Be Good Revolutionaries is evocative of the music of songs like the Cuban ‘Guantanamera’ and Victor Jara’s Chilean anthem ‘Venceremos’.

Che Guevara’s last letter to his children contained fatherly advice in the shape of “Grow up into good revolutionaries”, “Remember that it is the Revolution which is important” and a reminder that he was “a man who acted as he thought best and who has been absolutely faithful to his convictions”. Since the 1960’s, the famous Che image has been thoroughly ‘marketed’ and exploited by western capitalism. Che was captured and executed in 1967 in Bolivia where he was attempting to export the Cuban revolution, and conduct a Maoist “protracted peoples war”. This play includes the line “People have to die for change” and a glorification of “revolution”. Such romanticising of violent insurrection, and armed struggle is fundamental to Trotskyists and Leninists but all minority violent revolutions devour their own children.

Although Cuba is very popular with the Left, it is a one-party state, there are political prisoners, no freedom of the press,  no right to strike, price controls, goods rationing, a constitution based on the USSR,  a planned economy in the USSR ‘state capitalist’ mode, and essentially there  is ‘commodity nature of production’, and therefore is not a socialist society.

Steve Clayton