A Devilish Kind of Courage. By Andrew Whitehead. Reaktion Books. 320 pages.
Andrew Whitehead recounts here the events and background to the ‘Siege of Sidney Street’ in the East End of London in January 1911 in which two Latvian revolutionaries, wanted for the killing of three policeman in a botched attempt to rob a jewellery shop the previous month, were cornered. After a shoot-out the two were burned to death when the house they were holed up in caught (or was set on) fire and no attempt to extinguish it made. The supposed ringleader, dubbed ‘Peter the Painter’ by the police, became a legend but was never found.
It was a sensation at the time and led to an (unsuccessful) campaign to stop the immigration of ‘aliens’ from Tsarist Russia. This was often openly anti-semitic, even though those involved were Latvians. The Russian revolution of 1905, after an initial success in extracting concessions from the Tsarist regime, was brutally suppressed. Some of the revolutionaries turned to bank robberies to obtain money to finance revolutionary organisation and activity (and survive). Exiled to Western Europe some continued this, including those involved in the attempt to rob a jewellery shop in December 1910 and a wages robbery in Tottenham in January 1909. They were described as ‘anarchists’ and were certainly acquainted with anarchist ideas. The three most well-known anarchists living in Britain at the time — Kropotkin, Malatesta and Rocker — repudiated their tactics. However, ‘propaganda of the deed’ was advocated and practised, in the form of assassinations and robberies, by other anarchists at the time.
Whitehead examines the milieu in which exiles and immigrants from Tsarist Russia in the East End of London moved, mainly Yiddish-speaking Jews but also others including Latvians from the Baltic region. He also identifies who Peter the Painter most likely was. His well-researched and detailed book looks like being the definitive study of what the Socialist Standard of the time described as ‘the recent world-stirring East End melodrama’ (as well giving a socialist analysis of it and its repercussions).
Adam Buick
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