Showing posts with label Rolling Stones. Show all posts
Showing posts with label Rolling Stones. Show all posts

Friday, April 14, 2023

The Passing Show: TV trash (1965)

The Passing Show Column from the April 1965 issue of the Socialist Standard

TV trash

How often do you wash your hair? How often do you have a bath? If someone (other than perhaps your doctor) asked you those questions, you'd probably tell him to mind his own business. Such matters are considered personal enough not to discuss them generally in public.

However, that’s in the everyday run of affairs. But if there was money in it, you might well swallow your pride and tell the questioner what he wanted to know. And if the exercise were repeated often enough and lucratively enough, it’s possible you would forget you were ever annoyed and would even offer other personal but just as worthless titbits, such as the number of times you blow your nose in a day. I could go further, but I won’t.

Why am I mentioning this? It's just that one Friday evening a few weeks ago, I had the misfortune to sit through one hour of concentrated rubbish put out by I.T.V. under the title Ready, Steady, Go! As far as I could tell, it was a collection of pop groups and “ singers ” bleating, moaning, groaning and grimacing to the accompaniment of twanging guitars and the shouts of hysterical teenagers; Usually they merely mime to a background recording, but this time it was a “live” show, and having seen samples of both now, I’d say the more objectionable by a short head.

With Keith Fordyce as the compere trying hard to sound wildly enthusiastic over the nerve racking extremes of sixty minutes sheer row, and his assistant Cathy McGowan, calling everything “ fab ” and “gear”, the high spot—or punch line if you prefer—came when the Rolling Stones appeared and their Mike Jagger answered puerile questions about his bathing and washing habits. At the end of the programme, such was the frenzy of his audience, that he was saved from being devoured only by the intervention of some strong arm men, no doubt retained for the occasion.

It would be stupid of course to blame television as such for trash like this—just as logical as blaming weapons for the outbreak of war. It would be putting the cart before the horse. Like so many things in this world, T.V. has a vast potential for benefiting mankind, but is twisted and debased to suit the needs of a profit making system of society. And this applies just as much to the staid old B.B.C. as it does to the cruder and brassier I.T.V. So if there is a vast teenage demand for Beatles, Animals, Jerks, Kinks, Pretty Boys and Rolling Stones, then T.V. has to sink to the occasion. No matter if some of the characters look like Rowton House rejects; their records sell, don’t they? In their millions?

Indeed they do, and while that sort of condition obtains, all sorts of people will swallow whatever pride they may once have had, in the frantic race for the fast buck. A survey a few years back pointed out the size of the teenage market, running into hundreds of millions of pounds a year, something which certainly didn’t exist before the war. So no wonder we have manufacturers sitting up and taking notice, making things specially for the “teenage character” and changing the styles at a bewildering speed to maintain the myth of teenage exclusiveness, trying to keep the youngsters sufficiently obsessed with themselves to bolster sales.

Gramophone records are no exception to this rule. Generally the pop recordings are of poor quality, and not intended to last. Teenage restlessness in the demand for “new” numbers and boredom with the old. will be encouraged by the disc companies. It’s good for turnover and sales, but reduces the level of performance to an all time low with each new group or record to appear. Hence the spectacle of Ready, Steady, Go, Jukebox Jury and others.

The tragedy of it all is that teenagers are so unaware of all this. They really do believe that they are “different" from the rest of us and that the current hullabaloo is merely a recognition of this at last. In fact their wage status in society guarantees their “sameness” with everyone else and places similar restrictions upon them. They are being taken for a long and bumpy ride with a rubbish tip at the end of it.


Doctors' dilemma

Not so long ago there was no National Health Service in Britain. You just had to scrape the money together to pay the doctor if you were unfortunate enough to need his services. And of course, a stay in hospital meant hospital bills, although how many workers managed to pay them is another matter.

The family doctor was often held in awe and reverence—a pillar of respectability, financially very comfortable and independent. That was obviously the impression that East End slum dwellers gained, perhaps because the doctor always wore a clean shirt and looked smartly turned out. They did not realise just how great a struggle some medicos had to get by. but the going must have been tough at times, particularly in the depressed areas. A. J. Cronin gives us a glimpse of this in some of his novels.

Well, whatever delusions we may have had about the G.P.’s status before the war, there is certainly no room for them now. Most of his “ independence ” was swept away when the postwar health service was set up, and doctors in general can be seen now for what they are—and always were—working men and women. True, their income on average is still much higher than many other workers, but what of that? There have always been differing grades of training and pay under capitalism and here is an example. Their training is years long and their working hours atrocious. A Guardian article of March 9th for example told of resident hospital doctors often working a hundred hours and more a week.

And just like other workers, the doctors have to battle with their employers (the government) over wages and conditions, which is really what all the rumpus was about a few weeks back. The British Medical Association—the doctors' “trade union"—threatened to withdraw its members from the health service if the government's pay offer was not improved. This was not a strike, it was claimed, although just what other name it could be given was not stated. However, the government seems to have climbed down and granted some at least of the doctors’ demands. For them, however, the lesson of organisation has been a long time in the learning. The assiduously cultivated image of medicine being a calling rather than a job, with its practitioners’ sole aim to serve their patients, will be equally long a-dying; and this presents them with a dilemma.

To retain the all-important public support for their cause, the old picture is of help, but it can act as a double-edged weapon. The government has been quick to realise this and use it to the full in its negotiations with the B.M.A. As so many other workers have found, it is the strike or the very real threat of it, which gets things moving if they can be moved at all. And then bang goes public sympathy.

In the event, the medicos took the only course open to them and risked public hostility. Strikes are a constant feature of capitalist society—they are part of the fight which goes on all the time. And people usually get hurt in a fight, not just the direct participants but onlookers as well. It is one of the regrettable facts of capitalist life. End capitalism and you end the fight—for doctors as well as for the rest of us.
Eddie Critichfield

Monday, May 28, 2007

Politics of Pop (1968)

From the February 1968 issue of the Socialist Standard

"The Commandments say 'Thou Shalt Not Kill' and half the world is in training to annihilate the other half. Nobody would get me in uniform and off to Aden to kill a lot of people I've never met and have nothing against anyway. I know people say they are against wars and yet they go on fighting them. Millions of marvellous young men are killed and in five minutes everybody seems to have forgotten all about it. War stems from power-mad politicians and patriots."

Except for the final comment, this could be a socialist speaking in Hyde Park. In fact, it is Mick Jagger of the Rolling Stones giving his views on war and militarism. On many other questions his ideas come close to the arguments which socialists use. For example, he is outspokenly anti-religious and opposed to marriage. While he does not appear to relate any of this to the class structure of society, he does at least look upon private property as a curse.

"There should be no such thing as private property. Anybody should be able to go where he likes and do what he likes."

Jagger calls himself an anarchist and, like most anarchists, his weak point is his failure to understand how capitalism works. Politicians he claims are "a dead loss" and it is they who are responsible for wars, the legal system and the rest of it.

"Politics, like the legal system, is dominated by old men. Old men who are also bugged by religion."

Socialists would reply that it is not the individuals, such as Wilson, who administer capitalism who are to blame but the system of society itself. Nor would we accept that it is the "old men" who have landed the world in its present mess. Even Jagger must recognise that he is in the minority among young people; most youth are just as ardent supporters of private property as their fathers and grandparents. In fact, one has to look no further than some of the other groups competing on the pop scene to see just how committed they are to capitalism, religious superstitions and all.

Probably the most depressing case is the Beatles. An immensely talented and versatile group, politically they seem be about as wet as they come. One of them, George Harrison, is convinced, like Jagger, that is the "old men" who are the cause of the world's problems.

"I think music is the main interest of the younger people. It doesn't really matter about the older people now because they're finished anyway. There's still going to be years and years of having all these old fools who are governing us are bombing us and doin' all that because, you know, it's always them."

Confronted by this, Harrison's philosophy is to shut his eyes and pretend it isn't there. He sees an individual way out in meditation. Everything in the material world is superficial, he argues; it is only by burrowing deep inside yourself that you can find god and personal fulfilment.

"If you can contact that absolute state you can just tap that amazing source of energy and intelligence. It's there, anyway you've just got to contact it and then it will make whatever you do easier and better. Everything in life works out better because everybody is happier with themselves."

This might be a comforting creed to someone with Harrison's wealth but unemployed workers in Birmingham or hungry peasants in Bengal are likely to be slightly less impressed by the miraculous powers of meditation. The Beatles' spiritual mentor, the so-called Maharishi Mahesh Yog, obviously has a shrewd understanding of this and restricts his missionary efforts to the clientele of the London Hilton and such places. The Maharishi, a sort of latter-day Rasputin with mental powers seem to be in inverse proportion to his impressive title, is at least a magnificent showman. Some his profundities have to be heard to be believed:

"I think ladies meditate comparatively more successfully because the quality of heart is more developed in the ladies than in the men, and therefore the waves of joy are more aroused, and that's why the joy is felt more. The heart is more - a mother's heart is much more much more wavy - more waves, deeper waves rise in mother's heart than in the father's heart. An experience of bliss does need a more capable instrument of emotion."

People who fall for this sort of rot will obviously be taken in by anything and, like Rasputin, the Maharishi seems to have a low opinion of those who provide him with a comfortable living. Interviewed recently in Bremen (West Germany) he was reported to have laughingly remarked that "no matter where I am people will find in me the commodity that they want."

As well as their hatred of the "old men", Jagger and Harrison have another trait in common - their dislike of oppression. Yet there are plenty of pop singers with other ideas - some openly racialist, others advocatĂ­ng dictatorship. P. J. Proby, for example, is fond of making half-witted generalisations about negroes - "They're always asking for handouts. They don't have any real dignity." Another singer with totalitarian sympathies is Scott Walker who, like Harold Wilson, has a passion for telling the working class what is wrong with them. According to Walker we have all gone flabby in the West and we ought to have this knocked out of us by a good dose of Stalinism.

"Russians have an unbelievable strength, nothing shakes them. The workers here should have the same opportunities, they should be educated on radio and television. They need a good dose of propaganda and more than anything else they need a form of dictatorship again . . . then we'd be all right again."

The politics of pop are worth looking at not because pop singers are anybody in particular but because most of them are from the working class and, to a certain extent, their ideas are typical of the lines which young workers think along.

One of the most widespread of their illusions is the feeling that the fundamental division in society isbetween young and old, rather than between the working class and the propertied class. Prejudices such as his are just as dangerous as racialism because they obscure the fact that the real conflict in society is between classes - not generations. The gulf which separates a young worker from a young capitalist is immeasurably wider than that which exists between two workers of different ages.

Whatever superficial differences there might be in styles of dress or tastes in music, working men are united as a class by the fact that eachone of us has to sell his labour power to the capitalists. In the same way the capitalist class stand together, whatever generation they might identify themselves with as individuals, because collectively they live off the surplus value which they wring out of the working class. It would be nice to have a few politically conscious pop singers who recognised this but, in the end, it doesn't matter that much. After all it is not a few individuals like George Harrison or Mick Jagger who are going to win the revolution but the millions of working men and women, young and old, who make up the working class.

Let's finish by giving the floor to Jimmy Savile - one of the most successful DJ's in the pop business. Preaching in a church near Halifax just before Christmas he sent up a prayer to capitalism which would have warmed the heart of any Victorian mill owner or steel baron.

"For the first few years, I worked down a coal mine. Now I have hit this 'gold seam' and I say, 'Thank you, Lord, business is good.'"

For the rest of us, who are still working down the mines, or in the factories and offices, how many of us feel like echoing Jimmy's pious gratitude? The only "golden seam" we are ever likely to hit is socialism. And that won't be thanks to any gods but just to our own revolutionary initiative.
John Crump