Showing posts with label Tristan Miller. Show all posts
Showing posts with label Tristan Miller. Show all posts

Friday, August 11, 2023

Party News: Fircroft Summer School (2007)

Party News from the August 2007 issue of the Socialist Standard

This weekend some 40-plus members, sympathisers and Standard-subscribers from as far a field as Italy, Turkey and USA gathered for a weekend of discussion and debate at the annual summer school organised by Birmingham Branch.

Under the theme “Thinkers of the 20th Century” a range of ideas – from disciplines as diverse as anthropology, information technology, literature and philosophy – were reviewed from a socialist perspective and much heated debate followed.

Its not surprising that a recurring issue throughout such a themed weekend is that of “freedom”. Much abused in everyday currency, “freedom” often translates as little more than lower taxes and fewer regulations, issues of little or no concern to world socialists. In contrast, socialists are intensely interested in freedom, whether its the freedom we have to surpass the gene as a constraint on how we live, the freedom to work co-operatively in software development/use software without restrictions, or the more abstract freedom of the individual under the state.

The dystopian visions of Aldous Huxley (Brave New World) and George Orwell (1984) then, formed a large part of the discussions around the first two talks from Richard Headicar and Mike Foster respectively. What sort of state do we live in now? Which dismal projection has survived the best ? Probably a bit of both is the answer: Orwell’s boot stamping on the face is still prevalent in many parts of the world as the market system emerges to an ungrateful population of new wage-earners. “Late” capitalist states on the other hand have clearly evolved more complex and subtle forms of oppression, including of course the diversions of Big Brother (the TV “reality” show) and the dubious freedom of consumer choice.

To what extent can you separate the thinker from the thoughts ? While Orwell got his hands dirty down mines, in hotel kitchens and most famously on the frontline in Spain, Aldous Huxley in common with most of the other thinkers risked little more than a paper cut in the drawing rooms of Bloomsbury. Does this influence how we read each author ?

As Marx famously noted, “the philosophers have only interpreted the world the point is to change it”. Someone who has done very little interpretation of the world, but by contrast has undeniably changed it is Richard Stallman. A software engineer turned intellectual property activist, Stallman developed GNU software, CopyLeft and the free software movement. This has inverted contract law to ensure that CopyLeft software (such as Linux operating system) gets the fullest expression of its use value (i.e. it is free to copy and use), but has effectively no exchange value as users have to agree to make available and not restrict access to any amendments made to it. Tristan Miller discussed how this little oasis of “socialistic” production has grown unstoppably within the body of capitalism and effectively mirrors – albeit within the software and digital music communities – all the features of “from each according to ability, to each according to need”.

The subject of freedom of the individual phenotype (e.g. human) as opposed to the dubious constraints of biological determinism arose during Adam Buick’s introduction to the cultural anthropologist Ashley Montagu, who is best known for his contributions during the middle part of last century to the nature v nurture debate. It is likely that his writings will stand the test of time better than the more recent fashions of biological determinism – sociobiology and evolutionary psychology – as typified by the “popular” science writers Richard Dawkins, E O Wilson and Steven Pinker. If human nature is slowly becoming less of an ideological “barrier to socialism “than it once was, it will be due to the painstaking work of real scientists such as Montagu.

Simon Wigley got the short straw in having to present the ideas of the Frankfurt School of philosophy shortly after a large Saturday lunch. He stuck to the brief given to him admirably however, particularly given that he had little enthusiasm for these ideas, as he made clear. Whilst some in the audience wanted to shoot the piano player, others were grateful that Simon had done the hard work of reading this stuff and translating it from the English for our benefit.

Personally speaking I gained most from this talk – even if it was only to gain confidence that the Frankfurt emperors were indeed just as stark naked as I had always suspected, and that rather than being extensions to marxist philosophy, the ideas of Adorno, Habermas et al (along with the post-modern ideas they set the scene for) are negations of class-based analysis, of the enlightenment, and even of the scientific method that drove it.

The material conditions of capitalism really haven’t changed that much in the last century – and our philosophies really don’t look like they need to change much either. Anyone who thinks that world socialists are intellectuals, academics or armchair philosophers would have been pleasantly surprised at the disdain with which these ideas – far removed from anything actually to do with working class experience – were discussed. Habermas could have dug coal during the Spanish Civil War for all I know, but – judged on their own merit – his ideas still should not be taken seriously.

In summary, there is of course a perpetual tension between theory and practice that no political organisation, whether liberal, marxist or anarchist, gets right all the time. However, assisted by a plentiful supply (according to need of course) of the local Black Country beer, and the opportunity to catch up with old comrades and new sympathisers, most attendees I spoke with left the weekend feeling stimulated, reinvigorated and better-prepared for the more practical need to spread the socialist case. Surely, the ideal balance between ideas and action.
Brian Gardner

Blogger's Note:
The Socialism or Your Money blog also carries this report from July 2007, where there are some interesting comments arising out of Brian's report of the Summer School.

Tuesday, March 15, 2022

Party News (2007)

Party News from the March 2007 issue of the Socialist Standard

On 30 and 31 January Comrade Miller of Central London Branch gave two talks hosted by the Edinburgh and Glasgow branches, respectively. Both talks were on the subject of intellectual property and Free Software. The Edinburgh talk was attended by about 15 people, over half of them first-time visitors. Many of the visitors were avid users and developers of Free Software, and the talk was followed by a long and generally positive discussion. The Glasgow talk also had a similar-sized audience, with two visitors.

Comrade Miller began the talk by introducing and comparing the concepts of physical property and intellectual property (IP), explaining how the law treats them much the same despite the fact that IP requires practically no labour to reproduce and does not spoil or wear out. The primary purpose of laws preventing people from copying music, software, literature, and other information, then, is to effect an artificial scarcity which helps secure profits for IP owners.

Comrade Miller explained how independent software developers, angry with the restrictions imposed by commercial IP owners, began to voluntarily license their software copyrights under terms which guaranteed that the software would always be free for others to use, study, copy, and modify. Since most new software is created by refining and combining existing pieces of software, this licensing scheme essentially returned control of the means of production of software to the community.

The Free Software licencing scheme has since been popularised and adapted to other forms of IP, most notably artwork and literature. Comrade Miller examined as a case study Wikipedia, a large online encyclopaedia which is collaboratively edited by thousands of volunteers from all over the world. The facts that editors contribute voluntarily and without compensation, and that the project operates in a largely democratic fashion without a government, serve to refute the common anti-socialist argument that people will not work and cooperate without coercion.

Though Wikipedia and other free content projects are not socialism, they are illustrative of how certain aspects of socialism could operate. If the artificial scarcity capitalism imposes on physical resources were abolished, as free licensing has done with certain informational resources, then what would be left to stop us from running the whole world through voluntary labour and free access?

Saturday, July 25, 2020

Letters: Scientific proofs (2006)

Letters to the Editors from the July 2006 issue of the Socialist Standard

Scientific proofs

Dear Editors

As both a scientist and a socialist, I was dismayed to read two statements in the May Socialist Standard which appear to reflect an anti-science or anti-academia bias. The first statement, found in the Pathfinders column, is that “science itself is unable to prove anything very much at all, whether it is a theory of gravity, evolution, or climate change”. While this is ‘technically’ true, it is more than a little disingenuous, and may lead readers to believe that the Socialist Party rejects science as a tool for understanding nature and the human condition.

Science works by proposing theories, which are tested to see if they account for the available data, and then modified if they do not. Because new data is always being discovered, scientific theories are never proved with absolute certainty in the sense of a mathematical or logical proof, but rather in the sense of a legal proof – “beyond a reasonable doubt”. The overwhelming evidence in support of the theory of evolution is such that no biologist disputes its ability to account for the fossil record and origin of species; in this informal sense the theory can rightly be said to be “proven”.

Socialists should therefore not reject calls for scientific proof of our social and economic theories; rather, we should meet them by providing supporting evidence, or by modifying our theories when presented with contradictory evidence.

The second passage with which I take issue appears in Voice from the Back, where some professors are ridiculed for speculating on some matter of Christian mythology instead of speaking out against world hunger.

I’d like to know what evidence the author of this piece has that these professors are not socialists and are unsympathetic to the problem of world hunger. And is it his belief that the study of ancient history and literature has no redeeming value, and that it will be abandoned in socialism? Or merely that any activity not directly related to bringing about socialism should be held up to condemnation and ridicule?

Perhaps the author may be able to devote every waking hour of his life to socialist propagandizing, but most of the rest of us need to set aside at least some of our time for employment, hobbies, relaxation, and yes, even inconsequential philosophical debates.
Tristan Miller, 
London SW4


Another view of Freud

Dear Editors

I’d like to comment on the article “Freud and Marx: do they mix?” (May Socialist Standard) and put forward some of my own thoughts on the subject. In order to appreciate Freud you really need to approach him with the right mind-set. That mind-set, in my opinion, is an ability to understand where he’s “coming from”, together with a willingness to appreciate his insights without necessarily buying into his ideas wholesale.

This second point was explained by J.A.C. Brown in his book Freud and the Post-Freudians:
“It is convenient to regard the total body of Freudian thought as falling into roughly three categories: its basic psychological concepts; the theories based on clinical observations and described in terms of this conceptual scheme; and the essentially philosophical conclusions on such subjects as the nature of society and civilization, war and religion, which Freud drew from his own thought and experience. 
Whether or not such a division is logically justifiable it is undoubtedly empirically useful in any consideration of his influence on scientific thought; for many would accept his general approach to psychological problems who would not be uncritical of his theories, and others would accept both without taking very seriously his metaphysical conclusions.”
Freud’s outstanding fault was over-generalisation. But even this criticism of him has to be qualified because you have to judge each of his points individually. Making sweeping statements about someone who made so many different individual points over so many years is it itself an overgeneralisation. Many people have claimed that Freud’s ideas are untestable. This isn’t necessarily true. Seymour Fisher and Roger P. Greenberg have made a concerted effort to test Freud’s ideas against a wide range of scientific evidence. Their findings are compiled in their two books The Scientific Credibility of Freud’s Theories and Therapy and Freud Scientifically Reappraised.

The following paragraph, which appears in their first book, gives you an idea of their general approach:
“Overall, the best argument we can muster for scientifically testing Freud’s models is the fact that many competent people have already tried their hand at it and discovered new, interesting things. It should be added that their fairly precise quantitative observations are making it possible to speak in terms of the degree to which Freud’s ideas are valid or not valid, rather than simply Freud, at least in terms of his theoretical conclusions, had a somewhat pessimistic view of human nature, and in this sense saw things differently from socialists."
However, I believe that this should be set against Freud’s compassionate acceptance of human weakness and limitation, and in this respect, I believe, Freud and Marx were soul mates. Many of their peers would have been happy to regard the hysterical men and women as well as the poor oppressed masses as both, each in their own way, the cause of their own misfortune. Freud and Marx regarded them as fellow human beings, championed their causes, and sought to relieve them from their suffering. In doing so they both went completely against the grain of the societies they lived in, and for that bravery of spirit alone, deserve our gratitude and respect.

The idea that people are the cause of their own misfortune is a central argument of those on the political right. This is particularly so in America where it’s even accepted by many of those who suffer as a result of it. The idea is that whether someone is emotionally disturbed, or mentally ill, or a single mother, or lacks the skills, strength, or ability to get a well paying job, they are somehow supposed to have chosen to be exactly as they are. Giving them no support is then justified on the grounds that they could choose to somehow magically change themselves and their circumstances if they really wanted to. It’s interesting to note that these right-wingers choose to see emotional and economic difficulties in a very similar way.

Freud and Marx would have been united in opposing this absurd idea. Freud would have pointed out that people with emotional problems are victims of their own natures and certainly don’t choose to be the way they are. I don’t need to say what Marx would have said about the source of economic hardship.

In spite of the huge differences in their areas of interests there are quite a number of ways in which Freud and Marx parallel one another. They were both big fans of Darwin and saw themselves as doing work in a similar vein to him.

For an explanation of how Marx’s views on religion correspond to Freud’s ideas about paranoia see Paranoia by David Bell. This is an excellent little booklet which I thoroughly recommend. It gives a brilliant explanation of “false communities”, racism, hatred of asylum seekers, resentment welfare recipients, etc. from a  psychoanalytic point of view. Psychoanalysis has a tremendous amount to offer to anyone who wants to have a better understanding of human behaviour.

I can’t resist mentioning the books of Robert Jay Lifton in which he applies his background in psychoanalysis to the study of recent historical and political situations. Socialists should simply take from Freud and psychoanalysis whatever they find helpful or interesting and leave aside that which they don’t.
Adam Waterhouse, 
Bristol



Dear Editors 

The article on ‘Freud and Marx’ (May Socialist Standard) was quite interesting and may lead some readers to study more of the works of Freud, Reich and Fromm. However, it appears to make the usual errors by critics of their pioneering work

Freud’s discovery of psycho-analysis is used by the medical profession world-wide and has proved to be beneficial and invaluable in treating patients with deep emotional difficulties.

The article states that “Instinctual Sexual Energy” has never been found. This is not the case. Any objective observation of older babies and very young children will demonstrate that they have a natural and “instinctive” sexual or sensual drive for genital play for long before they have any understanding or knowledge of sexual functioning.

While there have been advances in sexual liberation for adults, in recent years, this has not led to much improvement in social attitudes. There is a specific reason for this. Development in the first five years of life pass through the stages of oral, anal and genital evolution of pleasure zones.

By puberty, on average, girls are menstruating at 10 years of age and boys, on average, are ejaculating at 12 years. So physiologically they are ready for mating.

This in our “Civilised” society is understandably unacceptable. So unlike all other living creatures, the “Sexual Instincts” must be repressed and thwarted. Freud and Freudians understood this and suggested that a price in emotional terms would be made. Hence the ‘Life and Death’ instincts evolve that give rise to the emergence of all kinds of sexual perversions that can develop. These are also expressed in ‘death’ drives in addictions, such as drug taking, smoking, alcohol, etc. And as Wilhelm Reich proved, into homoerotic political diversions, such as fascist and nazi fantasies. (Study the Nazi symbols and expressions and the “death instinct” is self-evident.) Sexuality or sensuality is the deepest natural emotional instinct all humans possess.

Most people, though unaware of their repressed emotions, are able to cope sufficiently in life. It is essential, however, to understand the complexity of our personalities, if we are ever going to be able to create a fully successful socialist society that will be really lasting. For we are not machines or robots, but thinking animals with many emotional layers. Just as the work of Marx is a guide to understanding, and not a dogma like religions. So also, is the work of Freud, Reich and Fromm.
Lionel Rich, 
London NW6

Tuesday, April 14, 2020

Alternative voice (2006)

TV Review from the April 2006 issue of the Socialist Standard

Democracy Now! Pacifica Radio. http://www.democracynow.org/

“Independent media has a crucial responsibility to go to where the silence is to represent the diverse voices of people engaged in dissent.” Thus is the journalistic philosophy of Amy Goodman, host and executive producer of the New York–based radio/television news programme Democracy Now!, now in its tenth year. True to her vision, Goodman’s one-hour show covers the stories ignored or suppressed by the corporate-sponsored media, and provides a platform for the politically underrepresented to give their views and commentary on stories reported by the mainstream news. Artists, leftist academics, peace activists, whistleblowers, union representatives, and independent journalists make up the majority of those interviewed. In many respects, then, Democracy Now! is like a daily edition of Howard Zinn’s A People’s History of the United States, reporting on the activities of various segments of the working class to resist political and economic oppression.

Each show begins with Amy Goodman delivering ten minutes of headline news; while there is a tendency to focus on American politics, the show is much more international in scope than most other American news programmes. The remaining fifty minutes explores one or two stories in further detail via interviews or a live debate between a prominent activist or academic and a government spokesperson. Past guests have included academics Norman Finkelstein, Noam Chomsky, and Howard Zinn; authors Alice Walker, Arundhati Roy, and Salman Rushdie; and spokespeople from civil rights and activist groups such as Greenpeace and the American Civil Liberties Union. The plethora of voices critical of the government and society is a welcome diversion from the business and government cronies featured on most corporate news programmes. (And unlike other so-called “independent” or “public” media outlets, Democracy Now! is funded entirely by listeners, viewers, and foundations; they run no advertising and do not accept donations from corporations or governments.)

If the show has one fault, it is that it sometimes assumes a particular political group or ideology must have merit simply because its views are in the minority. Such was the case with a February show commemorating the assassination of black nationalist leader Malcolm X. Guests were brought in to heap praises upon the man, and a long excerpt from his speech “The Ballot or the Bullet” was played. No comment or criticism was made on his racist-separatist agenda, nor on his suggestion that the “black community” would be better off if blacks ran their own economy. Goodman, who is usually unafraid to pose hard-hitting questions, neglected to challenge the ludicrous implication that black workers would be any less exploited serving black masters than white ones.

Nonetheless, Democracy Now! serves a useful purpose in bringing underreported stories and views to the forefront. Until socialists can establish their own news programme, Goodman’s show is a good supplement or even outright replacement for the corporate nightly news.
Tristan Miller

Democracy Now! is broadcast in London on Resonance 104.4 FM Thursdays at 11:00; across Europe on Sky Digital channel 0122 Monday to Friday at 15:00; and on the Internet via RealAudio, RealVideo, MP3, or Ogg Vorbis at http://www.democracynow.org/ .

Saturday, October 10, 2015

The book on the film (2015)

Book Review from the October 2015 issue of the Socialist Standard
'Mad as Hell: The Making of Network and the Fateful Vision of the Angriest Man in Movies', by Dave Itzkoff (Times Books, 2014)
In 1976, MGM released Paddy Chayefsky’s Network, a film that would change the way people saw television. It tells the story of Howard Beale, the distinguished senior anchorman of a major American network, who suffers an on-air breakdown. ‘I’m going to blow my brains out right on this program a week from today,’ he announces, explaining that he ‘just ran out of bullshit’ to broadcast. The network executives are horrified and plan on firing him, but after seeing the effect his rants had on the show’s ratings, decide to keep him on. An increasingly inflamed Beale abandons all pretence of objectivity and uses his top-rated show to whip millions into a frenzy over the injustices he sees in society. Impressed, the network commissions a slate of new programmes showcasing violent crime, terrorism, political extremism, and paranoid prophecies of doom—all with the sole purpose of channelling viewers’ fear and outrage into market share and advertising revenue.

Network caused a sensation when it was released. It was loudly denounced by television journalists, who saw it as an unconscionable attack on the nobility of their profession, but it went on to sweep the Academy Awards with a record-setting ten nominations and four wins. Despite this, the film is virtually unknown to today’s audiences—and when it is shown at all, viewers take it as a straight-up drama rather than the sly but radical comedy it was written and received as in the 1970s. As contemporary screenwriter Aaron Sorkin aptly put it, ‘No predictor of the future—not even Orwell—has ever been as right as Chayefsky was when he wrote Network.’
In Mad as Hell, Dave Itzkoff of The New York Times recounts the curious story of how a film as anti-establishment as Network ever made it to the big screen. In Itzkoff’s analysis, thatNetwork got produced at all may well have been a happy historical accident: MGM had found themselves missing out on the counterculture wave that was sweeping Hollywood, and so, desperate for a box office hit of their own, acceded to veteran screenwriter Paddy Chayefsky’s demands for total creative control over his next film. Chayefsky used this highly unusual grant of authority—which exceeded even that of the film’s director—to ensure that his dystopian world was faithfully translated from screenplay to film. That Network so pointedly attacked the medium of television was of no concern to the studio, which at the time had no relationship to any television networks apart from the occasional sale of broadcasting rights for their films. Whether MGM would have produced such a film today is another matter entirely. ‘In an age when all the major broadcast networks are now either owned by or affiliated with a motion picture and entertainment conglomerate,’ observes Itzkoff, ‘it is hard to imagine a studio turning its guns on itself the same way.’
Mad as Hell faithfully documents Network’s entire production process, from early drafts of the screenplay up to postproduction and pre-release marketing, and goes on to recount and analyze the controversy and critical acclaim the film garnered upon its release. Of greatest interest, however, is the book’s final chapter, which discusses how Chayefsky’s nightmarish vision of a world that has eroded away the distinction between information and entertainment has finally come to pass. Itzkoff attributes this to a significant relaxation in antitrust laws and federally mandated broadcasting standards, coupled with a proliferation of cable TV channels. While journalism has never been truly objective, before 1987 US broadcasters were at least nominally required to be honest and to provide contrasting views. Itzkoff explains how ‘informational’ television today is dominated by shallow, tabloid-style programming, making good use of interviews with veteran newsmen who have variously resisted and embraced the new regime.
Itzkoff is equally astute at identifying the film’s enduring contribution to popular political discourse. Though neither Paddy Chayefsky nor his mouthpiece Howard Beale are socialists, they are both acutely aware of the ills of global capitalism and of the urgent necessity of the population at large taking some sort of radical, corrective action. (‘We are right now living in what has to be called a corporate society, a corporate world, a corporate universe,’ laments Beale at one point in the film. ‘This world quite simply is a vast cosmology of small corporations orbiting around larger corporations who, in turn, revolve around giant corporations, and this whole, endless, ultimate cosmology is expressly designed for the production and consumption of useless things.’) Network, Itzkoff concludes, was all about ‘awakening its viewers to ugly and unflattering truths about their lives and the world they inhabited, and it did not communicate its messages in a subtle or soft-spoken manner: it put its most urgent and passionate ideas in the mouth of a man who at times is literally screaming them at his audience, commanding them to go to their windows and scream their dissatisfaction themselves.’ Indeed, what sets Beale apart from his countless successors—both in the film and in real life—are his perceptiveness and sincerity. He proclaims himself to be ‘mad as hell’, but he is not deranged; he is lucid and insightful, and his anger is no mere shtick. The real tragedy of Beale—and of Chayefsky—may be that they failed to offer their enraptured viewers any real solution to the problems they so effectively articulated.
Tristan Miller

Wednesday, July 29, 2015

Intellectual Property: a further restriction on personal freedom (2006)

From the January 2006 issue of the Socialist Standard

Professor Noam Chomsky of the Massachusetts Institute of Technology’s contribution is based on a Q&A session held on 22 April last year at Washington State University. Tristan Miller provides a commentary from a socialist perspective on the following page.

Guaranteeing corporate profits

The relation of intellectual property to personal freedom and its place in public and academic settings is an interesting topic with an interesting history.

The Uruguay Round that set up the World Trade Organization imposed what is called a free trade agreement, but which is, in fact, a highly protectionist agreement (the US and business leaders being strongly opposed to free trade and market economies, except in highly specific ways beneficial to them). A crucial part of this agreement was the establishment of very strong “intellectual property rights”. What this actually means is rights that guarantee monopoly pricing power to private tyrannies.

For example, consider a drug corporation. Most of their serious research and development – the hard part of it – is funded by the public. In fact, much of the dynamism of the world’s economy comes out of public expenditures through the state system, which is the source of most innovation and development. There is some research and development in the corporate system, but it’s mostly at the marketing end. And this is true of the drug industry. Once the corporations gain the benefit of the public paying the costs and taking the risks, they want to monopolize the profit and the intellectual property rights. These rights are not for small inventors. In fact, the people doing the work in the corporations don’t get much out of them; at best, they would receive a small bonus if they invent something. It’s the corporate tyrannies that are making the profits and they want to guarantee them.

The World Trade Organization proposed new, enhanced intellectual property rights – patent rights – far beyond anything that existed in the past. In fact, they are not only designed to maximize monopoly pricing and profit, but also to prevent development. For instance, the World Trade Organization rules introduced the concept of product patents. It used to be you could patent a process, but not the product, so if some smart guy could figure out a better way of producing something, he could do it. The WTO wants to block this. It’s important to block development and progress in order to ensure monopoly rights, so they now have product patents.

Consider US history: suppose the colonies, after independence, had been forced to accept this patent regime. What would we Americans be doing now? First of all, there would be very few of us at all, but those of us who would be here would be pursuing our comparative advantage in exporting fish and fur. That’s what economists tell you is right – pursue your comparative advantage. That was our comparative advantage. We certainly wouldn’t have had a textile industry. The British textiles were far cheaper and better. Actually, British textiles were cheaper and better because Britain had crushed Irish and Indian superior textile manufacturers and stolen their techniques. They therefore became the pre-eminent textile manufacturer, by force of course. In actuality, the US does have a textile industry which grew up around Massachusetts. But the only way it could develop was by extremely high tariffs which protected unviable US industries. Our textile industry developed and later had spin-offs into other industries. And so it continues.

We would never have had a steel industry either, for the same reason: British steel was far superior. One of the reasons is because they were stealing Indian techniques. British engineers were going to India to learn about steel-making well into the 19th century. They ran the country by force so they could take what the Indians knew and develop a steel industry. In order to develop its own steel industry, the US used massive government involvement through extremely high tariffs and the military system, as usual.

This system continues right up to the present, and furthermore it’s true of every single developed society. It’s one of the best-known truths of economic history that the only countries that developed are the ones that pursued these techniques. There were countries that were forced to adopt free trade and “liberalization” – the colonies – and they got destroyed. The sharp divide between the first and the third worlds has really taken shape since the 18th century. And maintaining this divide is what intellectual property rights are for. In fact, there’s a name for it in economic history: Friedrich List, the famous German political economist in the 19th century, who borrowed his major protectionist doctrines from Andrew Hamilton, called it “kicking away the ladder”. First you use state power and violence to develop, then you kick away those procedures so that other people can’t do it.

Intellectual property rights have very little to do with individual initiative. Einstein didn’t have any intellectual property rights on relativity theory. Science and innovation is carried out by people who are interested in it; that’s the way science works. However, there’s been an effort in very recent years to commercialize it, much the same way everything else has been commercialized. So you don’t do science because it’s exciting and challenging, because you want to find out something new, and because you want the world to benefit from it; you do it because maybe you can make some money out of it. You can make your own judgment about the moral value. Personally, I think it’s extremely cheapening, but also destructive of initiative and development.

It’s important to note that the profits from patents commonly don’t go back to the individual inventors. This is a very well-studied topic. Take, for example, the well-studied case of computer-controlled machine tools, which are now a fundamental component of the economy. There’s a very good study of this by David Noble, a leading political economist. What he discovered is that these techniques were invented by some small guy working in his garage somewhere in, I think, Michigan. After the MIT mechanical engineering department learned about it, they picked up these techniques and developed them and extended them and so on, and the corporations came and picked them up from MIT, and finally it became a core part of US industry. Well, what happened to the guy who invented it? He’s still probably working in his garage in Michigan or wherever it is. And that’s very typical.

I just don’t think intellectual property has much to do with innovation or independence. It has to do with protecting major concentrations of power which mostly got their power as a public gift, and making sure that they can maintain and expand their power. And these highly protectionist devices really have to be rammed down the public’s throat. They don’t make any economic sense or any other sense.

Neither do I think that intellectual property should play any role in academic and public institutions. In 1980 the Bayh-Dole Act gave universities the right to patent inventions that came out of their own research. But nothing comes strictly out of a university’s own research; it comes out of public funding. That’s how the university can function; that’s how their research projects work. The whole system is set up to socialize cost and risk to the general public, and then within that context, things can be invented. But I don’t think universities should patent them. They should be working for the public good, and that means the fruits of their research should be available to the public.

Noam Chomsky

No amount of legislation can change the basics
To most people today, the notion that ideas or information can be owned seems as natural as owning a house or a bicycle. We are brought up to believe that when someone writes a book or piece of music, or develops plans for a new invention, they become that work’s sole owner. This means that they alone have the right to determine whether and how that work is used by other people, or the right to transfer ownership of the work to another person or a company. Only the owner is allowed to make and sell copies of the work, to incorporate it into a collection of other works, or to produce a new work based on the original, such as a new edition or a sequel. These “rights”, as they are called, are encoded not just in our laws, but increasingly, as we shall see, in our social norms and our technology.

However, the world did not always work this way. To people in the Ancient world and in Mediaeval times, the thought that anyone could claim ownership and control of something intangible like a poem or an idea would have seemed ludicrous. Philosophers and mathematicians regularly borrowed, critiqued, and expanded upon the works of their colleagues; historians compiled and summarized descriptions of events recorded by others; and musicians performed existing songs while adding their own embellishments. Written works were copied freely (albeit laboriously) by trained scribes, and technological improvements diffused gradually among artisans through word of mouth.

To someone from the past, then, today’s intellectual property regime would seem terribly restrictive. Had Shakespeare been told he could not copy and rework material from other playwrights, he would have seen this as a tyrannical imposition on his personal freedom as an artist. What’s more, we would have been robbed of many of his greatest works, including Hamlet and King Lear, both of which were adaptations of other authors’ plays. What was it that changed, then, between Shakespeare’s time and ours, to allow us to think of information and ideas in the same terms as physical property? And more importantly, is our society more or less free as a result?

The answer to the first question is relatively simple when we look at things in their historical context. In the century preceding Shakespeare, two great developments began sweeping across Europe, one technological, the other socio-economical. The first of these was mechanized printing, introduced by Johannes Gutenberg in the 1450s. Books and pamphlets suddenly became easy and cheap to reproduce, and with their abundance literacy and authorship increased. The second development was the capitalist mode of production, which was by fits and starts beginning to replace the old feudal system. Trained scribes who used their own inexpensive tools for copying manuscripts were replaced by relatively unskilled workers who operated a costly printing press owned by their employer. Few authors could afford a press to print their own books, and the wealthy publishers who owned the presses depended on a steady supply of new literature to drive their sales. Therefore, authors and publishers entered into an agreement whereby the publisher supported the author financially in exchange for printing their book and retaining the profits from its sale.

Though a few popular authors became quite wealthy through this arrangement, the vast majority were not significantly better off than the rest of the labouring class. As with any employment relationship, it was not in the publisher’s interest to pay authors any more than required for their upkeep, thus forcing them to either continue writing or seek other employment. To prevent authors from securing payment from more than one publisher simultaneously and to prevent rival publishers from cutting into their profits, publishers in the 17th and 18th centuries pressured governments to enact laws recognizing a publisher’s exclusive ownership and control (“copyright”) of a literary work. (Initially this ownership rested with the author, though as it was useless to anyone without a press, he invariably assigned it to a publisher.) Similar laws were enacted granting monopolies on “any manner of new manufactures” – that is, patents – which again were beneficial primarily to those who already had the capital to exploit and defend them.

For professional writers, artists, and inventors, then, copyrights and patents – collectively referred to as “intellectual property” – are simply a specialized legal formalization of the wage-labour exchange other workers are forced to make with their employers. Just as manual labourers, lacking the means to produce and distribute their own products, must sell their labour power to a factory owner for an hourly wage, writers, lacking a printing press and bookstore, sell the copyright on their writing to a publishing house for a lump sum or nominal royalty. And just as manual labourers selling their labour power must waive ownership of the goods they have produced and the freedom to use them as they see fit, so too do writers selling their copyright lose the freedom to use their writing as they wishes. If a writer wishes to adapt or incorporate elements of another book – even one that they themself originally wrote – into a new work, they must first secure (and often pay for) permission from the publisher who owns the copyright. Given that the free and fruitful exchange of ideas and information was commonplace before intellectual property, it is difficult to argue that these laws have done anything other than rob artists and scientists of their personal freedom to learn from and interact with each other.

And what of the rest of us, those of us who do not make our livings writing, performing, or inventing? Has the intellectual property regime affected us in any way? Until relatively recently, the answer was not much, or at least, not personally. Intellectual property was simply a legal fiction allowing corporations to stake their various claims to “properties” in the information market. How the capitalists decided amongst themselves who had the right to produce what had little bearing on the individual freedom of the average worker, who owned neither presses to print books nor factories to mass-produce new machines . Technically it was illegal for a worker to make a copy of a book, but since it would take them weeks or months to do so by hand, the publishers’ profits were not threatened and no injunction was sought.

With the advent of home computers and the Internet, however, the entire working class suddenly found itself in possession of the same sorts of instruments of production and distribution that had previously been exclusive to wealthy publishing houses. Once a book or piece of music had been put into digital form, anyone could instantly produce unlimited copies with the click of a button and instantly send them anywhere in the world. Alarmed at the threat to their monopolies and their profits, publishers began to take notice. Criminal and civil lawsuits were brought against individuals who downloaded music from the Internet or copied software for their friends. Publishers launched wide-scale public “education” campaigns to convince people that unauthorized copying was akin to theft or even to piracy on the high seas. The full force of the law and corporate propaganda apparatus was applied to preventing workers from exercising their new-found ability to produce and distribute intellectual property on a massive scale.

At this point, one could well argue that people technically had not lost any of their personal freedoms, since by law they were never free to copy information in the first place. This changed, as Noam Chomsky notes, with the passing of increasingly restrictive laws in the late 20th century. Now it is a crime not just to copy a digital work, but also to use it in any way not authorized by the publisher. Many of the freedoms people enjoyed with printed books and analogue audio and video recordings no longer apply to their digital counterparts. A publisher can arbitrarily decide that a particular e-book can be read only a certain number of times, or only up to a certain date, or only on a certain device, making transfer to a friend or donation to a library impossible. These restrictions are hard-coded into the device or software which reads the e-book, and modifying the software or inventing a new device to circumvent these restrictions is a criminal offence.

In conclusion, Prof. Chomsky is correct in his identification of today’s intellectual property system as a way of granting legal monopolies to corporations. And I applaud him for speaking out against the worst excesses of companies exploiting the patent system in the name of maximizing profits. But by focussing on and attacking only recent intellectual property law reforms, it is easy to fall into the trap of suggesting that the system could be “fixed” simply by repealing these reforms or otherwise tweaking the laws. As I hope I have shown here, from their very beginnings copyrights and patents have existed to benefit only that small minority of people who owned the presses, warehouses, and stores through which books and other media are reproduced and distributed. Any benefit to the inventors and authors who actually produce inventions and artistic works is incidental, and furthermore comes at the cost of stifling cross-pollination of ideas and the progress it entails. No amount of legislation can ever change the fundamental relationship in production between the workers, who produce almost all of the world’s artistic and scientific wealth, and the rich minority who control the means of disseminating this wealth. Therefore workers have no stake in the intellectual property regime and should work only for the abolition of the entire system that supports it.
Tristan Miller

Tuesday, June 2, 2015

Indictment of Global Capitalism (2005)

Film Review from the June 2005 issue of the Socialist Standard

Darwin's Nightmare, directed by Hubert Sauper

On an elevated plateau in western Africa's Great Rift Valley lies Lake Victoria, the source of the River Nile and the second largest freshwater lake in the world. The lake supports hundreds of animal species found nowhere else on earth - or at least it did up until the 1960s, when commercial fishermen introduced the Nile perch, in an attempt to improve fishing yields. The Nile perch is a voracious predator and within years had completely wiped out many of the native species.

Almost as devastating has been the effect on the local human population, which is among the highest-density in the world. With the decline of indigenous fish stocks and the population explosion of the Nile perch, many of the millions of Africans who live and work around Lake Victoria have been displaced from their traditional farming and fishing occupations. Out of economic necessity, they have been forced to accept positions as wage-labourers for large-scale Nile perch fisheries and packing plants. Meanwhile, processing of the invasive perch, whose flesh is much oilier than those of native species, has led to an increase in demand for firewood to dry the meat. This has resulted in widespread deforestation and the pollution of Lake Victoria from runoff.

This sorry state of affairs is chillingly documented in Darwin's Nightmare, which premiered at the 2004 Toronto Film Festival and is now gradually seeing wide release across Europe. Director Hubert Sauper presents us with contrasting images to reinforce the human devastation of the fishing communities in and around the Tanzanian city of Mwanza. We are taken inside the booming fish processing factories, where 500 tons of Nile perch are filleted and packed for export to Europe every day; meanwhile, two million Tanzanians find themselves gripped by a deadly famine. We see fishermen and prostitutes wasting away from AIDS; the local Christian clergy, steadfast in their religious superstitions on sex, refuse to advocate the use of condoms. An animatronic fish in a fat factory owner's office croons out "Don't Worry Be Happy'' while the starving street-children outside come to blows over the apportionment of a meagre can of rice. Those who failed to snatch a handful assuage their hunger by melting down and inhaling the plastic material the factory uses to package its fish.

Perhaps the most memorable and horrific scene in the movie comes after Sauper interviews a factory official on a balcony overlooking the premises. The camera pans across the grounds and focusses on a rickety truck being loaded up with fish offal. "Don't film that truck,'' barks the official. Some days later, though, Sauper secretly follows the truck to a dirty, stinking landfill where its foul cargo is dumped. The air is thick with the ammonia of decaying fish, and hordes of maggots feast upon the rotting carcasses. A group of mud-caked women, crippled and sick from years of breathing the noxious fumes, crowd around the pile of offal the truck has left behind and get to work. Every scrap of fish - no matter how badly decomposed, muddy, or maggot-infested - is carefully collected and hung up to dry on densely-packed wooden frames. The factory-processed perch fillets are beyond the means of most Tanzanians to buy, so millions must instead subsist on this decaying factory refuse.

Impressively, Sauper does not single out any one person or group of people as evil-doers - not even the factory owners. Rather, the interviews and scenes depicted in the film lead the viewer to the inevitable yet unspoken conclusion that the capitalist system of exploitation itself is the culprit. "[W]herever prime raw material is discovered, the locals die in misery, their sons become soldiers, and their daughters are turned into servants and whores,''  writes Sauper on the film's website . "It seems that the individual participants within a deadly system don't have ugly faces, and for the most part, no bad intentions.''

If the film has any fault, it is that it offers no solution to the problems it documents. Sauper is not at all optimistic: "The old question, which social and political structure is the best for the world seems to have been answered. Capitalism has won,'' he writes with a depressing air of finality. In doing so he parrots  the old social-Darwinist attitude that class society is merely "survival of the fittest'' as applied to economic competition between individuals, and that capitalism is the natural order of things. It is a discredit to Sauper's talents as a researcher and observer of human behaviour that he has no retort to this untenable point of view. Despite the filmmaker's pessimism,the documentary itself stands up well on its own as a merciless indictment of global capitalism. After watching Darwin's Nightmare, anyone who professes to see no causal relationship between capitalism and the poverty of Africa will be forced to think again.
Tristan Miller

Sunday, January 26, 2014

Nationalism and Destruction in the Balkans (2014)

Film Review from the January 2014 issue of the Socialist Standard

We review a recent film about the break-up of Yugoslavia.
'The Weight of Chains', a documentary written and directed by Boris Malagurski (2010)
‘Who in their right mind would actually want to be a colony? ‘So begins The Weight of Chains, a documentary written and directed by Boris Malagurski (2010) which argues that the bloody breakup of Yugoslavia in the 1990s was orchestrated by Western powers in furtherance of imperial ambitions. Director Boris Malagurski, hailed by the Belgrade press as the ‘Serbian Michael Moore’, claims his film ‘takes a critical look at the role that the US, NATO and the EU played in the tragic breakup of a once-peaceful and prosperous European state’.
The film is narrated by Malagurski himself and begins with a whirlwind history of Yugoslavia: the country was first established as a kingdom in 1918, and encompassed people of various religions and ethnicities, including Orthodox Serbs, Catholic Croats, Muslim Bosnians (all of Slavic extraction), as well as sizeable Hungarian and Albanian minorities. The country was reorganised as a federation of six national republics in 1943, the Titoist ruling party opting for an economic model which mixed state and private ownership of capital. By the 1970s Yugoslavia came to enjoy levels of social and economic prosperity which rivalled even many of its avowedly capitalist neighbours.
The historical background thus set, Malagurski pinpoints the beginning of Yugoslavia’s decline to the early 1980s, when it took out an IMF loan to shore up its waning economy. Around the same time, Ronald Reagan issued a secret memo, National Security Decision Directive 133, which committed the US to widen its sphere of influence in Eastern Europe by aggressively promoting Western-style market capitalism in Yugoslavia. US-sponsored NGOs promptly began funding Yugoslavian opposition groups, journalists, free-market economists, and trade union activists. By the late 1980s, this ideological groundwork had paved the way for ‘privatisation through liquidation’: US-guided Yugoslavian bankers and legislators started implementing monetary and economic reforms which triggered the bankruptcy of thousands of state-run firms. This, explains Malagurski, deepened the state’s massive debt and led to runaway inflation and unemployment, cuts to welfare spending, and tension between the subnational governments. Foreign speculators snapped up failed companies at rock-bottom prices, and the federal government, cut off from further foreign credit, was forced to accede to American demands for ‘free’ multiparty elections in the constituent republics.
Lured by the promise of Western favour and financing for their individual republics, regional politicians sowed the seeds of ethnic discord; these in turn were eagerly cultivated by the impoverished workers who were searching desperately for someone to blame for their sudden misfortune. Malagurski aptly shows how the ensuing nationalist secessions brought their leaders into open and often very bloody military conflict over land and resources.
If any of this sounds familiar, it should – long-term readers of the Standard will recognise this part of Malagurski’s analysis of the Yugoslavian breakup and ensuing wars as much the same one we have always presented. Like Malagurski, socialists eschew the ‘ancient hatreds’ theory which holds that interethnic hostility is biologically innate and genocidal violence preordained. Instead, we observe how a faction of the ruling elite, when confronted with rivals to its privileged position as owners and controllers, is compelled to enlist masses of the working class to defend that position. One way of rallying this support is to seize upon some unimportant characteristic – say, religion, language, or ethnicity – which the workers share with the ruling faction, but not with the workers of the rival faction. By exaggerating such differences and ignoring or obscuring the more important commonalities, leaders convince the workers that they share a common interest with their masters, and to happily march off to war in support of it.
By this point in the film, therefore, Malagurski has set things up wonderfully for a scathing indictment of nationalism, irredentism, and capitalist warmongering. Unfortunately, this indictment never comes: as it turns out, Malagurski is just another nationalist, albeit one pining for the ‘good old days’ of pre-breakup Yugoslavia (which, rather tellingly, he himself is far too young to remember). While he correctly surmises that the new ‘Bosnian’, ‘Kosovar’ and other national identities are largely artificial distinctions, invented or overinflated by their respective governments in order to win the support of their electorate and of foreign powers, he ignores the fact that the same was true of the even more artificial ‘Yugoslav’ national identity they supplanted.
In support of its pan-Yugoslav agenda, the film devotes considerable screen time to documenting how the political and economic leaders of the newly independent states enriched themselves at the expense of the common people. Malagurski explains how they did this by cutting back social programmes, skimming foreign investment funds, and selling off entire domestic industries to foreign concerns. But what he fails to establish is how any of this could have been prevented had Yugoslavia remained united, nor why foreign private ownership of industry is any worse for the workers than local private ownership. Russia, for example, emerged from the USSR with a strong national identity and a much greater proportion of its industry in local hands, though its workers also experienced widespread poverty and massive social cutbacks. Of course, even Titoist Yugoslavia was never the paragon of social and economic equality Malagurski seems to think it was. The Yugoslavian nomenklatura may have avoided the conspicuous consumption typical of Western capitalists, but it remained a privileged ruling class which was just as keen to enrich itself through exploitation of its workers.
Many of the film’s flimsier claims and arguments can be explained as the work of a naïve but well-meaning patriot, but others cannot be so innocently excused. For example, Malagurski outright denies that the ethnic minorities in Serbia were oppressed, conveniently omitting any mention of the mass protests and general strikes that led to the revocation of their political autonomy in the late 1980s. In another segment, he paints Bosnian president Alija Izetbegović as a rabid jihadist, quoting from a thirty-year old Islamist manifesto which the man had long since repudiated. Most controversially, he presents the infamous Srebrenica massacre as a ‘stage-managed’ ploy by the Bosnians and Americans to justify NATO military intervention against Serbia. Whatever the plausibility of this theory, it’s particularly distasteful how Malagurski trivialises the village’s civilian death toll as ‘no larger than the number of Serbs killed’ in the surrounding area, without any pretence of distinguishing between combatant and non-combatant deaths.
Given this it is not hard to see why Malagurski’s detractors accuse him of being a pro-Serb whitewasher and historical revisionist. Are they correct?  With so many of the post-breakup events still under active historical and criminal investigation, it’s hard to say for sure. But at least one thing about Malagurski is clear: for all the effort he spends exposing and decrying the dishonest propagandising which fuelled the Yugoslavian implosion, he certainly has no qualms employing many of the same tricks when it suits his own agenda. Whatever that agenda may be, the conclusion is that he has a very low estimation of the intelligence of his audience.

Wednesday, December 30, 2009

A different kind of politics (2009)

From the June 2009 issue of the Socialist Standard
Politics has become a dirty word, but that’s because we leave it to professional politicians.
Most political groups today use the word “socialism” to refer to a brand of Leftist politics advocating things such as nationalization of industries, higher taxes for the rich, greater participation of trade unions in government, more spending on social programmes, and greater control of the economy by the state. These so-called socialists of the Left, in common with all the other political parties of the Right and the Centre, look at all the world's problems – hunger and malnutrition, poverty, unemployment, epidemics, war, genocide – and they tell us none of them can't be solved by putting them in charge of the system. If only they could change the laws, set the budgets, and liaise with the other world leaders, they say, things would be better. And so we vote these politicians into power – again and again and again – and still, over the decades and centuries, the problems are still with us.

However, the Socialist Party is not a party of the Left, and doesn't advocate any of their political reforms. When we talk about socialism, we mean one thing and one thing only: a world-wide, democratically organized system of society without states, leaders, markets, and money. We believe that society at large, not governments or a small minority of private owners, should own and control the means of producing and distributing wealth. We believe that production of goods and provision of services should take place not for profit but rather directly to satisfy human needs. We believe that labour should be voluntary, not coerced, and that people should have free access to the goods produced by society. This isn't the mere tinkering with taxation and budgets and laws which is all the other political groups want to do---what we want is a fundamental, revolutionary change in the way society is organized.

What exactly do we mean when we talk about the means of producing and distributing wealth being owned in common? By “the means of producing and distributing wealth”, we’re not talking about personal possessions like your house or your clothes or your toothbrush. Rather, we’re talking about the forests, farms, mines, and oceans from which natural wealth is extracted; the factories in which it's processed; the transportation networks, such as roads and railways, that carry these goods across the Earth; and the distribution centres, such as warehouses and department stores from which we collect these goods for our own use. Currently, all these things are owned and controlled by a tiny minority of the world's population. If these owners can't find out a way of turning a profit out of the sale of the goods, then they don't get produced or distributed, no matter how much people need them. This is why millions of people all over the world have little or no access to the food, water, medicine, and shelter they need to stay alive. It's not because we lack the resources or the capacity to produce these things, but because it's not profitable to do so.

On the other hand, capitalism seems to be very good at churning out loads of goods that nobody needs at all. Instead of finding out what it is that people need and then producing the goods to meet that need, a large part of energy in our present society is focussed on coming up with all manner of new gadgets, gimmicks, and other shoddy merchandise, and then convincing people that they need them. The entire system is back-to-front! You just can't walk down the street today, or turn on the television or radio, or open a newspaper or web page, without being constantly bombarded with billboards, commercials, banner ads, inserts, leaflets, coupons, sandwich boards, posters, stickers, infomercials, and spam, all trying to convince you that you need to buy whatever hyped-up product du jour they're flogging. A lot of the time these products are of such inferior quality that they don't work as advertised, or end up breaking after a few months or years.

In a socialist society, though, all the means of producing and distributing wealth would be democratically owned and controlled by society at large. That means that every one of us would have the right to participate in decisions about how to organize the production of goods and services. And in any sane technologically advanced society, there is no reason why the sole object of production would not be simply to meet people's self-determined needs with the very best goods we know how to make. This would entail an end to buying, selling and money. We already have the resources and the technology to supply every single human being on this planet with all the material goods that they need for a comfortable, pleasant, enjoyable life. All we lack is the system of society that would permit this to happen.

So how do we establish this new system of society? The Socialist Party does not believe in achieving socialism through coercion or through violent seizure of power by a revolutionary vanguard. That's no basis upon which to build a fair and democratic society. No, the only way that socialism as we understand it could be set up and run is through the consent and cooperation of an overwhelming majority of the world's population. And the only way we will know once there is such a majority is when it says so via the ballot. It is then, and only then, that we will know that the time is ripe for socialist revolution. It is then that we can start dismantling the coercive machinery of government and start taking control of the things we need to make society function in our own interests.

Capitalism cannot meet the needs of the majority of the people in the world. It does not today, and it never can, no matter how much well-meaning politicians might try to make it. Rather, we are asking you to understand and agree with our analysis of why the world is the way it is today, and why the entire world-wide system of capitalism needs to be replaced with socialism.
Tristan Miller

Thursday, May 8, 2008

Capitalism in the 21st Century

Edinburgh - Glasgow Socialist Party Day School

Saturday 10 May, 1pm to 5pm

Community Central Hall, 304 Maryhill Road, Glasgow


Why Capitalism Can’t Go Green (1.00pm till 2.15 pm)
Speaker: Paul Bennett (Manchester Branch)

Capitalism is simply unable to run on green lines, as its motive force is expansion and domination, with no thought for the consequences for the people or the environment. In this talk Paul Bennett, Manchester Branch,will argue that capitalism is unable to cope with the ecological challenges that lie ahead, from global warming,to depletion of resources.

Some writing on this subject
Pepper Standard Bennett Eco-socialism


The Tyranny of copyright (2.15pm - 3.45 pm)
Speaker: Tristan Miller (Central London Branch)

Tristan Miller, Central London Branch looks at copyright laws and recent attempts to have ideas free to all by developments in the internet. The internet was devised as free for all to access but capitalism fears this development in the 21st century and has tried to restrict free access.

Some more writing on this subject
Chomsky Miller


Another Century of War (3.45pm till 5.00 pm)
Speaker: Gwynn Thomas (South London Branch)

The new century opened with the promise of a "peace dividend".Tensions between the Super-powers had relaxed and the risk of interstate war seemed to have receeded only to be replaced by an increasing number of wars within states.Wars in which 90% of the casualties are civilians and 80% of those are women and children. Of the 50 major conflicts fought during the 1990's small arms were the weapons of choice in 46 of them.

Gwynn Thomas, South London Branch, will argue that these are wars on the cheap.
Some writing on war
Orwell Thomas War

Each speaker will speak for 30 minutes. The rest of the session will be devoted to questions and discussion.

Free tea, coffee and light refreshments will be available throughout the afternoon.

Admission free, all welcome.

Thursday, March 16, 2006

Film Review of Steven Spielberg's Munich (2006)

Film Review from the March 2006 issue of the Socialist Standard


Munich (2005) Directed by Steven Spielberg Written by Tony Kushner and Eric Roth. Based on Vengeance: The True Story of an Israeli Counter-terrorist Team by George Jonas

Early in the morning of 5 September 1972, Palestinian terrorists stormed the quarters of the Israeli delegation to the 1972 Summer Olympics in Munich, killing two athletes and taking nine others hostage. In the botched German police raid that followed, one policeman, five of the eight kidnappers, and all nine hostages were killed. The three surviving kidnappers were released by Germany after the hijacking of a Lufthansa passenger jet the next month. Steven Spielberg's latest pseudo-historical film, Munich, tells the story of the Mossad hit squad charged with tracking down and killing the terrorists thought to be responsible for the Munich massacre.

To head the squad, Israeli prime minister Golda Meir personally selects her former bodyguard, Avner. Joining him are Hans, a former antiques dealer who forges the group's documents; Robert, a toymaker who builds their bombs; Carl, the `worrier' who erases evidence from the crime scenes; and Steve, the Jewish-supremacist getaway driver. Though none of the five men have prior training as assassins, they successfully engineer the shootings and bombings of some half dozen of their eleven targets. Much of their intelligence is purchased from Louis, a shadowy French anarchist who helps them in the mistaken belief that they are not government agents. Louis's father was a French Resistance fighter during the war but is now disillusioned with statism. "We paid this price so Vichy scum could be replaced with Gaullist scum, and the Nazis could be replaced by Stalin and America ... We don't work with governments,'' he says, as if complicity in an assassination is somehow justified when no state is involved.

After the first few killings, the hit squad begin to have doubts about whether what they are doing is right. The mild-mannered Robert has trouble reconciling his behaviour with his sense of identity as a Jew ("Jews don't do wrong because our enemies do wrong... We're supposed to be righteous.") and later as a human being. Avner frames the dilemma in more practical terms, noting that they have been given no proof that any of their targets had any hand in the Munich incident, and moreover that for every terrorist they kill a new and more fanatical one steps in to take his place. Only Steve remains resolute in his devotion to their task. "Stop your agonizing!"' he barks to the others. "It's counterproductive." However, in the end the other squad members are unable to come to terms with their actions. Three of them are killed – one probably by suicide – and Avner eventually returns home to his wife and child with deep emotional scars.

That Munich does not endorse any political point of view comes as somewhat of a surprise from Spielberg, an ardent supporter of Israel. The film's purpose is simply to show the effects of politically motivated violence, both on its victims and its perpetrators, and to demonstrate its futility. For this reason, it has come under attack by both the left and the right, the former for humanizing the Israeli assassins, and the latter for making uncomfortably close comparisons between the Palestinian terrorists and the Israeli counter-terrorists. What socialists will find distressing about the film, however, is that it offers only the shallowest of analyses of the socio-economic causes of the Israeli-Palestinian conflict, and likewise does not point to any particular solutions. These flaws are especially disappointing considering that screenwriter Tony Kushner describes himself as a "historical materialist socialist". Some characters in the film see the conflict as a religious and racial issue, but the film never uses historical materialism to trace these views to their socio-economic source, nor socialist theory to show that the Israeli and Palestinian assassins, as members of the working class, have more in common with each other than with their respective government leaders. The best we get is some unresolved moral agonizing and the failure of religion and patriotism to assuage the assassins' guilty consciences.

Given this nebulous treatment, there is the danger that viewers will be led to conclude there is no solution to conflicts such as those in the Middle East. But perhaps at least some will be stimulated into thinking about the real source of political violence, whom it benefits, and how to stop it once and for all.

Tristan Miller