Monday, July 17, 2023

Oscar Wilde on “Living for Others” (1988)

From issue 5 of the World Socialist Review
The following article is taken with permission from The Nation (2/20/88), where It appears as "Minority Report" (a feature column) . The writer— Christopher Hitchens— not only expresses an insight into the underlying realities of exploitation and social class but also reminds us of a few things about Oscar Wilde that the capitalist class would presumably prefer to play down as quaint or awkward.

 

That said, we do take exception to what seems to be the author's implied existence of a "middle class," since the liberal middle class of Wilde's time has itself become today's conservative "upper class", having changed only its ideological diapers in the process. Developed capitalism knows only two classes: those who own the means of production and those who work for them to produce and distribute wealth, either to the former's profit or to their minimum cost. A worker is anyone whose only source of income is the sale of their mental and physical abilities.

 

—The Editor
. . .  The salient point about (Oscar) Wilde was the economy and address of his wit. He did not froth with bons mots like some second-rate charmer. He was a tough and determined Irishman who more than once flattened bullies with his fist, and most of the time—if we exempt pardonable and tempting sallies about blue china and decorative screens—his drawling remarks were not snobbish or mannered. I suppose that people need to see him as a species of languid dandy, which is why The Soul of Man Under Socialism is almost never discussed when dear Oscar's name comes up.

Try to find that essay in any of the current anthologies of Wilde. First published in 1891, it was geldingly retitled The Soul of Man while Wilde was in prison. It expressed the sensibility that had impelled him to take the side of the Irish rebels and, in particular, to oppose the British government's attempted frame up of Charles Stewart Parnell, who, like Wilde, was destroyed on a charge of immorality when all else had failed. It gave Wilde the same distinction as that which he acquired by being the only writer in London to sign George Bernard Shaw's petition for the Haymarket martyrs. And it contains the following imperishable sentence:
The chief advantage that would result from the establishment of Socialism is, undoubtedly, the fact that Socialism would relieve us from that sordid necessity of living for others which, in the present condition of things, presses so hardly upon almost everybody.
This is not the flippant remark that philistlnes might take it to be. It is in fact what is truly meant by "compassion," a word now made to sound sickening in the mouths of Democratic hypocrites.

What those hypocrites mean when they intone the hack word "compassion" is that we should not forget the needy and the desperate as we pursue our glorious path of self-advancement. This is the rough equivalent of the older injunction that we should remember the wretched in our prayers. Wilde was proposing something infinitely more daring and intelligent—that we regard poverty, ugliness and the exploitation of others as something repulsive to ourselves. If we see a slum, a ghetto, a beggar, or an old person eating pet food, we should not waste pity on the victim. We should want the abolition of such conditions for our own sakes. The burden of enduring them is too much.

This is why early socialists were quite proud to be accused of spitting in the face of charity. The principle that an injury to one is an injury to all is not just talk; it is the expression of a solidarity that recognizes mutual interest. As Wilde also wrote, in his review of Edward Carpenter's Chants of Labour, "For to make men Socialists is nothing, but to make Socialism human is a great thing." His appreciation of paradox here makes an excellent match with his rejection of sentimentality.

There is another sense in which it would be nice to think that Wilde intended his insight about "living for others." In the great working class novel The Ragged Trousered Philanthropists the laborer Robert Tressell describes the feelings of charity and gratitude that, overwhelm the credulous, patriotic men who worked alongside him. They were content to spend their entire lives living for others—their betters—each of them confident of his own sturdy independence. This type did not disappear with the waning of the Industrial Revolution. You can meet him today, the despair of "progressive" intellectuals, as he bellies up to the bar with his "can't fool me" talk and proceeds to speak, sometimes using the very same phrases, in the tones of the President's last lying paean to native virtues. Praise for these philanthropists, especially at times when they are needed to be expended in war, is the only official rhetoric you hear that mentions the word "class." Almost the only place that class distinctions are stressed these days is at the Vietnam Veterans Memorial.

Class Factor Downplayed
They deserve to be stressed more often. Society labors on, supporting both an enormously wealthy upper class, whose corporate holdings are frequently tax free or even tax subsidized, and a growing underclass, which is sporadically and pathetically cited as a spur to conscience. Never is it asked, What are these classes for?

A sort of moral blackmail is exerted from both poles. The underclass, one gathers, should be dulled with charity and welfare provision lest it turn nasty. The upper class must likewise be conciliated by vast handouts, lest it lose the "incentive" to go on generating wealth. A rising tide, as we have recently learned, does not lift all boats, nor does a falling tide sink them all. If people were to recognize that they are all in the same boat, they would take better care of its furnishings, its comfort and its general decor. This is what Wilde meant by the importance of the aesthetic. 

Radicals have been taught to distrust any too great display of individualism, and where they forget this lesson there are always conservatives to remind them (a madly sweet but slightly lugubrious example of this style appears In the current New Criterion, reprobating my good self). Wilde himself was haunted by a Podhoretz-like chaplain in prison, who reported that the cell reeked of semen. (How could he tell?) We are in the debt of the brave man who taught us to ask, of their majesties, whether they deserve us, or our continued amiable subservience.
Christopher Hitchens

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