From the December 1915 issue of the Socialist Standard
There recently appeared a new weekly devoted to matters of interest to those who patronise the Cinema. Its title is "Film Flashes," and one of the plashes that illuminated its first number is reproduced below. It is worth noting as a manifestation of the class war: as one of the methods employed by the master class to suppress anything that would tend to enlighten the workers. The cutting follows.
We should regret to see exhibitors give much prominence to the new Metro picture, "The Bigger Man," recently exhibited at a trade show at the Shaftesbury Pavilion. "The Bigger Man" introduces the highly controversial subject of Capital and Labour, and shows a fight in progress between Strikers and Strike-breakers, which culminates in the appearance of a large body of troops under orders to fire on the mob. It is obvious at a time like this it would be very unwise, if not dangerous, to awaken thoughts of the old and bitter strife of past years, and we sincerely hope that Ruffells will reconsider their attitude in regard to the release of this picture. Many of the scenes, which are intended to contrast the great gulf existing between the master and man, are overdrawn and although these things may portray American labour life correctly enough, they are happily not true in regard to this country. (Italics mine.)
Choice, isn't it?
In these days it is "very unwise, if not dangerous," to comment too freely upon the doings of our masters. (I believe it is considered treason even to whisper to your next-door neighbour that you always preferred Kiel butter to British waggon fat.) Else the writer would dearly like to quote from a few other sources, material is never wanting with which to confute the case for capitalism. Further that this the writer makes no comment, preferring to leave it to thinking readers to provide their own.