Mixed Media: Ansel Adams (2013)

The Mixed Media Column from the June 2013 issue of the Socialist Standard

Ansel Adams: Photography from the Mountains to the Sea

The Ansel Adams exhibition, Photography from the Mountains to the Sea, was recently at the National Maritime Museum in Greenwich, London. Adams’s photographic modernism was an attempt to create ‘extraction’ in photography, as opposed to the impossibility of applying painterly ‘abstract impressionism.’ Adams used f/64 focal lengths, small aperture settings, in order to give great depth of field, sharpness and clarity and pioneered a zone system for translating perceived light into specific densities on negatives and paper. The foreboding mountains, river and sky are menacing in his 1942 The Tetons and the Snake River. He was a believer in unfiltered visualization in the sense of Blake’s ‘If the doors of perception were cleansed, everything would appear as it is, infinite.’

Adams was influenced by Emerson and his social responsibility to humanity and nature, and also Edward Carpenter’s Towards Democracy which advocated the pursuit of beauty in life and art. Adams wrote ‘I believe in beauty. I believe in stones and water, air and soil, people and their future and their fate.’ His landscapes are a form of worship, a pantheism like Spinoza’s ‘deus sive nature’ which led to his advocacy of wilderness preservation and environmentalism. His 1937 Clearing Winter Storm depicts Spinozist perception ‘sub specie aeternitatis.’ Adams is close to Wordsworth in his sonnet The World Is Too Much with Us which critiques the industrial revolution and materialism which places humanity out of tune with nature.

Adams’s ‘creative photography’ is Wordsworth’s ‘poetry as emotion recollected in tranquillity.’ His rock-pool photographs such as 1960 Rocks and Limpets, and 1969 Sea Anemones are ‘cleansed perception’ like Wordsworth’s ‘the earth, and every common sight/to me did seem/Apparelled in celestial light.’ Adams’s 1962 Stream, Sea and Clouds evoke the Wordsworth line of ‘a sense sublime/of something far more deeply interfused’ or in Adams’ own words ‘I saw more clearly than I have ever seen before or since the minute detail and I had within the grasp of consciousness a transcendental experience.’

Adams photographed US President Carter in 1979 and was awarded the Presidential Medal of Freedom in 1980. As befits a transcendental artist his photograph of The Tetons and the Snake River was included on the golden record on the NASA Voyager spacecraft in 1977. In a 1983 interview in Playboy magazine, shortly before his death, Adams was outspoken in his opposition to the Reagan presidency.

Ansel Adams: ‘I know that I am one with beauty and that my comrades are one. Let our souls be mountain. Let our spirits be stars. Let our hearts be worlds.’

Steve Clayton