Party News from the October 1955 issue of the Socialist Standard
Showing posts with label Ted Kersley. Show all posts
Showing posts with label Ted Kersley. Show all posts
Tuesday, October 20, 2026
Thursday, October 8, 2026
Friday, October 2, 2026
Educational Visits (1935)
Party News from the October 1935 issue of the Socialist Standard
A capital start was made on September 7th with our series of Educational Visits. Comrade Kersley threw illuminating sidelights on art in relation to the Materialist Conception of History at the Tate Gallery. It is hoped to extend to more than the twenty auditors who listened to our comrade the benefit of his knowledge by means of a lantern lecture later on. Offers of loan of lantern to organiser. If successful, other Educational Visits will be also supplemented in the same way.
Blogger's Note:
More information and background on Ted Kersley is available via his obituary which appeared in the May 1976 issue of the Socialist Standard.
Thursday, October 1, 2026
SPGB Meetings (1961)
Party News from the October 1961 issue of the Socialist Standard
Blogger's Notes:
The advertised debate between CND's Richard Headicar and the SPGB's Melvin Harris was unfortunately derailed. Details of what happened are available at the following link.
As advertised above, Gilbert McClatchie's ('Gilmac') spoke on the subject of his recent political tour of the United States at the Paddington Branch of the SPGB on the 8th November 1961. He also wrote an article on his visit to the United States for the December 1961 issue of the Socialist Standard.
It's always worthwhile, where one can, to provide some background on the Socialist Party speakers from back in the day that populated the back pages of the Socialist Standard. It's a bit grim, but sometimes the best source of information for those members is their Socialist Standard obituaries. Linked to below are the obituaries for some of the speakers listed above in the October 1961 issue of the Standard.
Tuesday, October 14, 2025
SPGB Meetings (1956)
Party News from the October 1956 issue of the Socialist Standard
Background to Joe Thomas and the Workers' League is available at the following link.
Sunday, March 9, 2025
SPGB Meetings (1951)
Party News from the March 1951 issue of the Socialist Standard
Blogger's Note:
Sybil Morrison of the Peace Pledge Union was quite a well known pacifist and suffragette speaker and activist in her day.
Thursday, November 30, 2023
Monday, November 20, 2023
SPGB Meetings (1956)
Party News from the November 1956 issue of the Socialist Standard
Blogger's Noted:
'R. Coster' was the Party name for Robert Barltrop during his first stint of membership of the SPGB. The ILPer debating Coster/Barltrop, Frank Maitland, was an interesting political figure. It's worth checking out his obituary from the Revolutionary History website.
Saturday, November 11, 2023
Wednesday, October 18, 2023
Tuesday, September 19, 2023
Monday, April 10, 2023
Friday, August 12, 2022
Thursday, June 2, 2022
Debate: Socialism versus Religion (1957)
A debate was arranged under the above title between the Socialist Party, represented by Comrade Jarvis, and the Catholic Evidence Guild, represented by Mr. Barr. It took place at Head Office on Sunday, March 31st, with Comrade Kersley in the chair. It started promptly at 7.30 with all seats taken, and subsequently more people arrived and packed the hall. About half the audience were non-members.
Comrade Jarvis opened with a 20-minute speech, in which he said that it was agreed between the opponents that there were problems in the world waiting to be solved—the problem of war, poverty, hunger, misery, unemployment, crises, etc. It was the Socialist Party's view that these problems could only be solved by changing the social system from Capitalism to Socialism. His opponent, however, claimed that religion (or Catholicism) was the answer to the world's problems.
Comrade Jarvis then outlined the Party’s case as given in the pamphlet "The Socialist Party: Its Principles and Policy.” He stated that there was no room for religion or any form of mysticism in our policy. Religion was defined as man's knowledge of God, or “ the mental faculty enabling men to comprehend the Infinite.” There can be no religion without God, although there can be religious ritual and paraphernalia without God. Religion consists of five things, and all the necessary emotional trimmings accompanying them. These are:— ,
- Belief in God or gods.
- Belief in Holy or Inspired writings (Bible, Koran, Zend Avesta).
- Belief in after Life.
- Belief in the Efficacy of Prayer.
- Belief in Miracles.
If God does not exist it would follow that the last four of these fundamentals of religion are of no consequence. (To this Mr. Barr nodded approvingly.) The existence of God could not be proved, maintained Comrade Jarvis. Belief in God had declined in proportion to the growth of education and freedom of speech, whilst in the centuries of Catholic domination, when no opposition was permitted, the majority believed in God. Atheism and materialism had therefore grown with increased knowledge. This debate could never have occurred in the heyday of Catholicism, with its ruthless tortures and death penalties for all who questioned its authority.
After dealing briefly with the usual arguments offered for the existence of God, Comrade Jarvis went on to state that the problem of evil in the world, the existence of wars, poverty, unemployment, crime, crises, etc., made it clear that no Supreme Being existed. Nor could it be claimed that evil, cruelty and barbarity are just man made, for barbarity exists among the animals. The cat plays with a mouse until it has been slowly tortured to death and the jungles are filled with ferocious beasts who live by tearing to pieces smaller and weaker animals. If God could make herbiverous animals why not make them all like that instead of creating carnivorous ones. Everywhere the law of the jungle dominated human life under capitalism.
Since the discovery of the laws of Evolution, it was possible to trace the evolution of the idea of God in primitive society, and now that we know the origin of the God idea, this cuts the ground from under the feet of the theist. “The heavens no longer proclaim the glory Of God, nor does the firmament show his handiwork.'’ God who could reveal himself at any moment has now to be searched for. The time has come to conduct God to the frontiers, thank him for his services, and ask him not to call again and trouble us with his diversions, as we wish to change the economic basis of society, and for this purpose do not need spirits, spooks or ghosts (whether holy or otherwise).
Comrade Jarvis finished by challenging Mr. Barr to prove the existence of God, for upon this his whole case must rest, since if no personal God existed, no value could come out of religion which could help the working class to solve the problems which confront them.
Mr. Barr opened by declaring that he had heard all this before—years ago—but that he obviously had too little time at his disposal to deal with all the questions raised. He stated that he had no intention of dealing with the political issues raised in the opener’s remarks, firstly because he accepted many of them, and secondly because even former Popes had similar views. He never criticised the party’s cause in any way. He then went on to try to prove the existence of God, and declared that it could be inferred from the existence of mind and of order in the universe. He referred again to the shortness of time, and said each part of the debate contained sufficient material for a whole debate. He ended by stating that these debates get nowhere, and he knew in advance that it would be the case.
In Comrade Jarvis’s second speech he commenced by saying that Mr. Barr should not have complained of shortness of time, because he had 20 minutes just the same as himself, and as he declined to deal with the political issues, he had the whole of his time to deal with religion and show that it had something to offer mankind to help to solve the world's problems. Mr. Barr, however, had one question to answer—the existence of God—for on that the whole case rests, since if no God can be proved to exist, the edifice of religion crumbles.
Instead of God creating man in his image, man had created his God or gods and always in his own image. He instanced that the gods of the African tribes were black, with short black curly hair, and the gods of the Eskimos were fat and covered with thick furs, etc. In his reply to this Mr. Barr said that Jarvis knew full well that these gods were man-made and false, and consequently had nothing to do with the debate. Jarvis replied by stating that he agreed that they were all false, and therefore it would appear that the only real difference between himself and Mr. Barr was that he believed in one god less than Mr. Barr did, which was a very small difference to argue about.
Comrade Jarvis then read from a number of Catholic pamphlets: "This is the aim which Our Predecessor urged as the necessary object of our efforts: the emancipation of foe proletariat.” (The Social Order, Pius XI).“ For towards the close of the nineteenth century new economic methods and a new expansion of industry had in most countries resulted in a growing division of the population into two classes. The first, small in numbers, enjoyed practically ail the advantages so plentifully Supplied by modern invention; the second class, comprising the immense multitude of working-men, was made up of those who, oppressed by dire poverty, struggled in vain to escape from the difficulties which encompassed them." Comrade Jarvis suggested that Pope Leo XIII (the author of this statement m Rerum Novarum, re-quoted in The Encyclical Quadragesima Anno of Pius XI), had been reading some, of the banned books, as this passage had a strange resemblance to the writings of Karl Man.
Another pamphlet quoted from was Cyril Clump’s A Catholic's Guide to Social and Political Action, which contains a collection of extracts from the writings of the Holy Fathers—who. by the way, are not supposed to be fathers.
After the first two speeches were made on each side, the debate was thrown open to the audience and a special appeal was made from the chair for Catholics or other opposition to take part in the discussion, but these were conspicuously absent. The debate concluded with the two participants winding up, in which Comrade Jarvis again requested proof of God’s existence, and Mr. Barr, who in the meantime had received a host of questions from the audience, again pleaded the impossibility owing to lack of time.
Horace Jarvis
Thursday, October 11, 2018
All My Own Work (1959)
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| The Marlborough Tapestries at Blenheim Palace. |
All this summer in the Diploma Gallery of the Royal Academy there have been exhibited 60 signed charming paintings by Sir Winston Churchill and like the pavement artist he can truly say "All my own work.”
There are landscapes, "bottle scapes," etc., interiors of Blenheim showing tapestries, depicting victories of his ancestor, the 1st Duke of Marlborough.
Looking at these brought to mind Southey’s poem “Battle of Blenheim" with its unanswered question "What good came of it at last"? For there are other kinds of items "signed W.S.C." not in any Exhibition. They range back right through two World Wars to the Boer War which was being waged as this century came in. What a ghastly painting it would make: all the millions of dead, blind, insane, widows and orphans doomed in the wars supported by the Marlborough line.
But look a little closer. While W.S.C. could truly sign his paintings “All my own work" his signatures given in Wartime are basically your signatures. You, the working class, who in your overwhelming majority at election times sign your voting slip for Capitalism under its labels Conservative, Liberal. Labour, etc.
Time is now upon you again to give the O.K. to your wage slavery, wars, H-bombs etc., or for you to strike a blow for the freedom and brotherhood of all mankind. You have time before then to become a worker for Socialism. Read and understand the simple facts of your class position: get in top gear as soon as you can. For you, the working class are the power that can rid the world of the vast horrors of capitalist civilisation.
Ted Kersley
Tuesday, January 16, 2018
Exhibition Review: Morris & Co (1961)
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| SPGB pamphlet from 1907. |
Exhibition Review from the May 1961 issue of the Socialist Standard
At the Victoria and Albert Museum in April there was to be seen an Exhibition, Morris & Company 1861—1940. On show were specimens of textiles, tapestries, wall papers, etc., produced by the firm of which William Morris was chief partner and designer. These art and craft products are considered to be the most artistic of their period. But such fine work was not for the homes of the great multitude, as Exhibit 61 (an order book) quite clearly showed.
Looking at this exhibition there was nothing to indicate that for the last 13 years of Morris’ life be worked full speed in the Socialist movement of his day as shown in these words in his essay How I became a Socialist (1894). “But the consciousness of revolution stirring amidst our hateful society prevented me, luckier than many others of artistic perceptions, from crystallizing into a mere railer against ‘progress’ on the one hand, and on the other from wasting time and energy in any of the numerous schemes by which the quasi-artistic of the middle classes hope to make art grow when it has no longer any roots, and thus I became a practical Socialist.”
These words from the chief partner and designer of the Morris firm indicate that under capitalism “Art for the People” is just a phrase but that under Socialism where goods will be produced for use and not for profit Art will be a part of daily life and work in such ways as a free people living in a democratically owned and controlled society wish.
Morris wrote a number of essays and gave lectures on Art and Socialism. Our pamphlet No. 3 Art, Labour & Socialism was a clear statement on the subject and it is possible that before long we may republish it, it having been out of print for many years now.
Ted Kersley
Friday, February 10, 2017
The Art Racket Fairy-Godmother (1957)
From the January 1957 issue of the Socialist Standard
No, fellow-worker, this does not concern you except in one important way. When you read in the Press £27.000 paid for a painting by Corot, £25,000 for one by Murillo, £2,300 for a copy of “Comrade” William Morris’s Kelmscott Chaucer, thousands of pounds for old silver, jewels, porcelain, etc., you may wonder what Fairy Godmother has visited the buyers. But would you believe it, you are the Fairy Godmother. It all comes from the profits you are bound to make for the Boss. Works of fine art and the fine dwellings to put them in are part of your contributions to His Imperial Majesty the Boss for the privilege of working your life out for wages. Maybe here and there, of all the thousands of works of art sold, a very small proportion go into public museums and galleries, and 90 per cent. of the time , these Galleries are open, you are at work doing the Fairy . Godma act and so your cultural uplift gets the go-bye. When next you go to the Public Library, look at the fine art journals such as The Connoisseur, etc., and you will see this is not just soap box oratory, for from cover to cover you will see works of art and craftsmanship for sale; charming things to solace the Captains of Industry while they wipe the sweat off their brows. Yes, it goes very well with roast pheasant and champagne! Not many crumbs of the sort fall to you from the Rich Man’s table. But be of good cheer for you have just had Christmas, with peace and goodwill to all men.
Now come along and make a New year’s resolution, to find out what is behind the art luxury rackets which run parallel with your lives of rush and insecurity. We can help you; read our case and get to work to make a world of Peace and Goodwill. Compliments of the season.
No, fellow-worker, this does not concern you except in one important way. When you read in the Press £27.000 paid for a painting by Corot, £25,000 for one by Murillo, £2,300 for a copy of “Comrade” William Morris’s Kelmscott Chaucer, thousands of pounds for old silver, jewels, porcelain, etc., you may wonder what Fairy Godmother has visited the buyers. But would you believe it, you are the Fairy Godmother. It all comes from the profits you are bound to make for the Boss. Works of fine art and the fine dwellings to put them in are part of your contributions to His Imperial Majesty the Boss for the privilege of working your life out for wages. Maybe here and there, of all the thousands of works of art sold, a very small proportion go into public museums and galleries, and 90 per cent. of the time , these Galleries are open, you are at work doing the Fairy . Godma act and so your cultural uplift gets the go-bye. When next you go to the Public Library, look at the fine art journals such as The Connoisseur, etc., and you will see this is not just soap box oratory, for from cover to cover you will see works of art and craftsmanship for sale; charming things to solace the Captains of Industry while they wipe the sweat off their brows. Yes, it goes very well with roast pheasant and champagne! Not many crumbs of the sort fall to you from the Rich Man’s table. But be of good cheer for you have just had Christmas, with peace and goodwill to all men.
Now come along and make a New year’s resolution, to find out what is behind the art luxury rackets which run parallel with your lives of rush and insecurity. We can help you; read our case and get to work to make a world of Peace and Goodwill. Compliments of the season.
Ted Kersley
Thursday, March 17, 2016
A Peep into the Art World (1955)
From the June 1955 issue of the Socialist Standard
The Financial Times (27/4/55) has an article under the title "High Prices for Venetians"; dealing with the spectacular rise in prices of works of art sold in London Sale Rooms, instancing a painting by Canaletto £10,500, a pair of F. Guardi £9,000, one by Zuccarrelli £1,900, one by F. Post “View in Brazil 1661” £1,650, and a very fine copy of Audubon’s “Birds of America,” published 1827-1838, £9,200. These prices represent a ten to 20 times increase in the last 10 to 20 years. What a fine racket thinks the speculator, better than whiskey, or bomb making.
What is behind it, you may wonder. While one must remember the fall in the purchasing power of the pound, that is not the great part. The supply of such works of are as these mentioned above grows less each year, but the demand increases with the growth of immense fortunes in countries that did well in the last two world wars: the South American Republics, the Scandinavian countries, U.S.A., and also the great oil fortunes in Western Canada. The last are a great factor in the prices of Canadian paintings by Krieghof (painted 100 years ago) which sell at as much as £1,000 as against £100 in pre-war days.
S. America is coming up fast and it was Brazil that put on the San Paulo collection at the Tate Gallery last year. F. Post was one of the very few well trained artists to go to Brazil in the 17th century, so for buyers of S. American early art the choice is strictly limited; the £1,650 “View in Brazil” could be bought 20 years ago for £100 and the Audubon book for a tenth of the recent price.
The present writer’s memory goes back to a day in January at the winter Royal Academy Show of 18 Century Art, to Exhibit 361, “Making a Road,” a painting by J. Vernet, signed and dated 1774. The picture shows a French Landscape by a river with a castle in the distance, a three-arched bridge being built in mid-distance by many workers with a high wooden crane. Up on the right is a windmill with two donkeys being loaded, beyond the bridge a group of men pulling a long waggon filled with huge blocks of stone, and all along the road dozens of men with hammers, picks, ramrods, chisels, etc., constructing the road. In the foreground are four horsemen. The first, splendidly dressed, is looking at a document that the ganger, hat in hand, has given to him, on the pommel of his saddle a brace of pistols. By his side another well dressed and pistoled gent sits with whip held erect in his hand and behind him two men, who look like guards. While admiring the picture another visitor approached and remarked: “Nice picture! Who owns these beautiful things? Who were they painted for?” This one, I replied, now belongs to The Louvre, but you will notice by the catalogue the great array of Lords, Baronets, etc., who own the bulk of this splendid exhibition. As to who this Vernet was painted for, perhaps for the pistoled gent or at least someone such as the owner of the distant castle. What you see there in the painting—well over 50 men working and two well armed gents not working but obviously of the class who own the means of production—sums up nicely who owned such works of art and who owns them now. There stands the master class whip and pistol in hand: the pistol you put and keep in their hands every, time you vote them into political-power and the whip of necessity that keeps you working for those who own the means whereby you live. The fine art trade, like the fine jewel trade, is patronised almost exclusively by that very small class who own the means of wealth production; while the vast bulk of the people get a trickle of chain store art and “ fine ” jewelry. It is up to the latter, the working class, to say yes or no to such a system. Look at the world you live in and get an understanding of Socialism, which will finish all the luxury racket and make possible a world in which art will cease to serve the ostentation and speculation of the wealthy and be a means of enjoyment for all.
Ted Kersley
Tuesday, September 1, 2015
Obituary: Nancy Kersley (1978)
Obituary from the August 1978 issue of the Socialist Standard
Old members will be sorry to hear of the death of Nancy Kersley, on June 19th, about two months before her 90th birthday. Although her activity was of a different kind from that of her late husband Ted, she was, in her quiet and unassuming way, deeply attached to the Party and its work. Comrades who knew them will remember how hospitable their home was, and how readily they were welcomed, with something, more often than not, to eat and drink. Her roots were in the working-class movement. Her father and her grandfather, going back to Chartist days, had both been active. Before the first world war she employed in the clothing trade, and, while still in her teens, became a Trade Union organiser. Nancy had been crippled for some time with arthritis — though no-one could have borne it with less complaint or more cheerfully — but her sight and hearing remained excellent, and her mental powers were unimpaired. Only a week before her death she was discussing an article in the Socialist Standard, every issue of which she looked forward to and read. Shortly before she died she said — uncharacteristically — that she felt very tired; a few days later the end came quite peacefully and without pain.
Old members will be sorry to hear of the death of Nancy Kersley, on June 19th, about two months before her 90th birthday. Although her activity was of a different kind from that of her late husband Ted, she was, in her quiet and unassuming way, deeply attached to the Party and its work. Comrades who knew them will remember how hospitable their home was, and how readily they were welcomed, with something, more often than not, to eat and drink. Her roots were in the working-class movement. Her father and her grandfather, going back to Chartist days, had both been active. Before the first world war she employed in the clothing trade, and, while still in her teens, became a Trade Union organiser. Nancy had been crippled for some time with arthritis — though no-one could have borne it with less complaint or more cheerfully — but her sight and hearing remained excellent, and her mental powers were unimpaired. Only a week before her death she was discussing an article in the Socialist Standard, every issue of which she looked forward to and read. Shortly before she died she said — uncharacteristically — that she felt very tired; a few days later the end came quite peacefully and without pain.
CD
Wednesday, December 31, 2014
Obituary: E. C. Kersley (1976)
Obituary from the May 1976 issue of the Socialist Standard
Ted Kersley died on March 18th after a short acute illness. He was in his 88th year. A number of members and ex-members of the party attended his funeral at Harlow cemetery on a grey and chilly afternoon, March 25th.
His career was remarkable. He had little formal education, and spent some of his early years in an orphanage. Before he was twelve years old he was at work, supplementing the meagre family income. A conscientious objector on Socialist grounds when war broke out in 1914, he was rejected and sent into the army. In France he owed his life to his wits, employment as a regimental cook, and a relative disregard for military obligations and procedure. After his discharge he became a dealer and "runner" in the art trade. A tribute to him and his achievement in this filed appeared in The Times of March 31st. Perhaps the most glowing acknowledgment of all those he was accorded must be that in the late Sir Arthur Elton's edition of Klingender's Art and the Industrial Revolution.
He joined the Party in 1910, and must therefore have been the oldest surviving member of that vintage. We do not remember him as the holder of long office, as a public speaker or writer — though no-one who heard them will forget his inimitable lectures on his chosen subject illustrated with original material. But there will be few of his time who do not remember him. He was always around — when something was to be done, to take the chair, to put up notices, at elections, at public meetings. In later years after an illness he lost his old energy, but his interest never wavered. He took a generous view of the Party's case — though he suffered no dilution or attrition — because he brought a many-sided attitude to it. Controversy never rankled with him, though he could be vehement in disagreement. One can say of Ted that the Party, its principles, its Marxism informed all his activities. Yet he was one of those for whom the party's views was not merely a statement touching capitalism, its cause and cure, but more profoundly on his life a philosophy and purpose. Many will recall the radio programme "The Art Trade Runner" which was widely regarded as a classic of broadcasting. In it, Ted insisted on declaring himself a lifelong revolutionary Socialist. The Times obituary contained no reference to his Socialism, showing that if some aspects of a man's life are recognizable by the Establishment others are not.
We share our regrets at his passing with Nancy his wife, who participated in the hard work and struggles of earlier days, and is still a member of the Party.
Ted Kersley died on March 18th after a short acute illness. He was in his 88th year. A number of members and ex-members of the party attended his funeral at Harlow cemetery on a grey and chilly afternoon, March 25th.
His career was remarkable. He had little formal education, and spent some of his early years in an orphanage. Before he was twelve years old he was at work, supplementing the meagre family income. A conscientious objector on Socialist grounds when war broke out in 1914, he was rejected and sent into the army. In France he owed his life to his wits, employment as a regimental cook, and a relative disregard for military obligations and procedure. After his discharge he became a dealer and "runner" in the art trade. A tribute to him and his achievement in this filed appeared in The Times of March 31st. Perhaps the most glowing acknowledgment of all those he was accorded must be that in the late Sir Arthur Elton's edition of Klingender's Art and the Industrial Revolution.
He joined the Party in 1910, and must therefore have been the oldest surviving member of that vintage. We do not remember him as the holder of long office, as a public speaker or writer — though no-one who heard them will forget his inimitable lectures on his chosen subject illustrated with original material. But there will be few of his time who do not remember him. He was always around — when something was to be done, to take the chair, to put up notices, at elections, at public meetings. In later years after an illness he lost his old energy, but his interest never wavered. He took a generous view of the Party's case — though he suffered no dilution or attrition — because he brought a many-sided attitude to it. Controversy never rankled with him, though he could be vehement in disagreement. One can say of Ted that the Party, its principles, its Marxism informed all his activities. Yet he was one of those for whom the party's views was not merely a statement touching capitalism, its cause and cure, but more profoundly on his life a philosophy and purpose. Many will recall the radio programme "The Art Trade Runner" which was widely regarded as a classic of broadcasting. In it, Ted insisted on declaring himself a lifelong revolutionary Socialist. The Times obituary contained no reference to his Socialism, showing that if some aspects of a man's life are recognizable by the Establishment others are not.
We share our regrets at his passing with Nancy his wife, who participated in the hard work and struggles of earlier days, and is still a member of the Party.
C.D.
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