Party News Briefs (1958)

Party News from the June 1958 issue of the Socialist Standard

May Day, 1958. Party activities in London, Glasgow and Nottingham had the best results for many years and it is most heartening. The weather was good, which is a helpful factor, but even with weather in our favour, it is essential that members should organise to get te best results. This they did, and although full details have not been collected, we do know that thirty-five members in Hyde Park sold at least 200 Socialist Standards and ten shillings' worth of pamphlets. An evening meeting at Denison House was also successful, but full details are not yet to hand. Nottingham. Members from London added to the efforts of the local members and held most successful meetings; literature sales amounted to nearly £3. Glasgow. Comrade D’Arcy, from London, joined forces with the Glasgow members, and outdoor meetings and one indoor meeting resulted in the sale of over £4 worth of literature, and collections amounted to £7 10s. 0d. At all the meetings the audiences were attentive and asked good questions.

Wickford. Branch reports that successful sales of the Socialist Standard have resulted from the Branch members canvassing in the Basildon New Town area of Essex.

Glasgow’s May Day Meeting. Glasgow City and Kelvingrove Branches turned up in full strength at Queens Park Recreation Grounds for their afternoon meeting. Twenty-one members sold nearly £4 worth of Socialist literature while Comrade James D'Arcy addressed an appreciative audience of two hundred, in opposition to the Glasgow Trades Council, whose representative, Mr. Hugh Gaitskell—addressing a somewhat thicker audience—explained how the Tory Party were to blame for the impoverished condition of the British working class.

The Party's May Day venture was well organised and the opening shots were fired when six members distributed 1,500 leaflets, from door to door, advertising the Sunday evening meeting. Later, in the wee small hours of Saturday and Sunday mornings, the streets of Glasgow received a face-lift of whitewash in the shape of adverts for the meetings. In the evening the finishing touches were put to the May Day campaign when Comrades Higgins, Richmond and D'Arcy put the Socialist case to seventy enthusiastic members of the working class assembled in the St Andrew's Halls.

The total collections and donations from both meetings more than covered all expenses. Full details of the literature sales are not yet to hand, but it is expected these will be better than they have been for many years.

During the afternoon, while our members were swarming over the Queens Park selling Standards, some members took the opportunity to expose to a small group of workers the anti-working class activities of the Communist Party. A few members of the Paisley Branch of the Communist Party were so incensed by the Socialist analysis that they rashly challenged the S.P.G.B. to debate and, needless to say, their challenge was accepted. We are writing to the Paisley Branch and can only hope that the “Foreign Office” of the U.S.S.R. will come out of their funk-holes long enough to be opposed by a Socialist speaker.

After the success of May Day members of both branches are looking forward to an excellent hearing during the summer months.

Comrade Russell, who lives in Manchester, is greatly assisting in the disposal of back numbers of the Socialist Standard. His work takes him travelling constantly over an area stretching from Yorkshire to London, and over to Wales. During these trips he takes the opportunity of leaving our journal in prominent places and has had many interesting discussions with fellow travellers on trains, buses, and in station waiting rooms. He travels over the same ground, mainly in a weekly cycle, and maintains his “distribution” constantly. As he so modestly says, perhaps the constant effort on these lines may bear some much-wanted fruit. Well said, indeed, and perhaps other members similarly placed might like to try their hands at this method of propaganda.

Bristol. Meetings will be held at Durdham Downs on Sundays at 3 p.m. Will members and sympathisers make every effort to attend and assist Comrade Flowers and other members of Bristol Group ?

Fulham and Chelsea Branch report that they are holding regular and interesting Branch meetings and discussions on the first and third Thursdays in each month.

As an experiment, the Branch Organiser has arranged a number of meetings and discussions with the aid of special L.P. records. The first record, “Shuttle and Cage,” which includes a very dramatic ballad about the Gresford mining disaster of 1934, and a number of English, Irish. Welsh and Scottish industrial folk songs, sung by Ewan MacColl, gave rise to much interesting discussion. Further recordings made by Alan Lomax deal with the life of the American negro.

Since the advertisement of these discussions, the Branch Organiser has received a number of letters (including one from Comrade Rab of America) enquiring about the records used; or making suggestions of other recordings that might benefit Party discussion Groups and Branches. A reader in Glasgow suggests that the recording “Old Man Atom,” by Guy Carawan, which deals with nuclear weapons, would be of interest to Socialists. He also mentions “Jack Elliott’s "Woody Guthrie’s Blues," which contains, along with four other titles, the ‘1913 Massacre’ and 'The Ludlow Massacre,’ both songs of the murders of early Trade Unionists in America.”

At Easter a number of members of the Branch went to Aldermaston, and helped with the distribution of the leaflet, “Nuclear War,” and sold Party literature on the march. On Sunday, April 13th, six members of the Branch, along with over forty other members of the Party, distributed “Nuclear War” leaflets, and sold Party literature (one member of the Branch sold 16 “Socialist Party and War” pamphlets!) at the Labour Party and T.U.C. meeting in Trafalgar Square.

On Thursday, May 1st, members of the Branch collaborated with Paddington Branch members in holding a meeting at Earls Court. And, during the summer months, Branch members will be collaborating with Paddington Branch in running outdoor meetings at Earls Court on Thursday and Friday evenings. All readers of the Socialist Standard are welcome to come. Meetings commence at 8 p.m.

The Overseas Secretary asks all members who have overseas' contacts to send the names and addresses of these contacts, together with any other information about contacts, to the Overseas Secretary, c/o H. O., 52, Clapham High Street, London, S.W.4.

The Overseas Secretary would also be pleased to hear from readers of the Socialist Standard abroad.

Comrade Ivy Groves. It is a sad duty to have to report the sudden death at the age of 50 years, of Ivy Groves, who had a heart attack on Sunday, May 4th. The not so very young members will well remember her as a loyal Comrade who. although not a writer or a speaker for the Party, was always ready with a smile and much energy, to help in any way. Until the last few years, when owing to domestic circumstances when it was not possible to be around so much, she regularly attended branch meetings and Head Office. It was 25 years ago when Comrade Ivy Groves joined the Chiswick Branch which via Wembley Branch became Ealing Branch. Latterly, when living in South London she transferred to Camberwell Branch. Many Comrades well know that her help and thoughtfulness greatly assisted Clifford Groves in his work for the Party as a propagandist, E. C. Member and General Secretary for many years.

Hackney Branch. Hackney Branch consider that the election campaign in the Bethnal Green division was extremely successful, in fact, far more successful than we had hoped.

The votes cast for the three candidates were 356, 333. and 306, indicating in some small degree, the growth of Socialist ideas within the constituency.

During the campaign 24,000 election manifestoes were distributed (one to each home in the constituency), together with several thousand leaflets advertising meetings some “Introducing the S.P.G.B.” and a number of free copies of the Socialist Standard. Apart from this canvassing of the Socialist Standard continued, and about 24 dozen copies were sold.

The support given by other branches was extremely encouraging, a number of members attending from Islington, Wood Green, Paddington, Lewisham, Woolwich and West Ham branches. Branches also assisted with financial support.

Attempts were made to hold a number of outdoor meetings, but these were not successful due to the very bad weather. The three school meetings were also poorly attended, probably for the same reason.

We do not claim to have made the best possible use of the election, but we have acquired considerable experience in the campaign which will be an invaluable help on future occasions. We hope that the result of the campaign will encourage other branches to contest local elections in their own area. A good opportunity will arise next year when London Borough Councils are due to be elected.

Phyllis Howard

Blogger's Notes:

• The obituary for Ivy Groves has appeared elsewhere on the blog.
• Despite my best efforts I can't find out the identity of the three Hackney Branch members who were the local election candidates in 1958. They are never mentioned by name in the Standard. I could make an educated guess  . . . but I won't. Hackney Branch actually contested the Bethnal Green parliamentary constituency the following year at the General Election. Jack Read was the party candidate on that occasion. Anecdotes about that campaign are aplenty in Barltrop's 'The Monument'. 
• Unfortunately, there were quite a few typos in the Fulham and Chelsea Branch report. Musician names misspelt all other the place. I did try to provide YouTube links for the songs mentioned in the report, but I can't guarantee that they are the actual versions referred to. Ramblin' Jack Elliott singing Woody Guthrie's songs is especially recommended.

The assassination of art (1975)

From issue number 1 (1975) of The Western Socialist

In a democratic society, art is politics in the widest sense, a celebration of common values which sweep away the old and clears the way for the new needs of man.

Victor Jara, Chilean play producer, singer guitarist, was a supporter of the Allende regime. In the military coup that followed he was assassinated on 15th September 1973. They broke his guitar fingers before breaking his spine. Bullets were then shot into his body.

He is one more addition to the many creative people in history who have become too dangerous to live. For the arts are not amusements, ornamental skills, diversions, comforts for tired businessmen or social polish for the pretentious. At least, not to the men who wield political power. The arts communicate and communication is the most potent force for progress and change.

History is full of the power of the arts, not the overt expression of dissatisfaction nor the blatant clarion call to rise and fight but the uniquely potent expression of ideas which show that man is ready for change. Art is a barometer and a celebration, a mirror to the emotional and intellectual development of man. The artist says, “This is man, how he feels, how we feel,” and once said, it can never be repealed. The ideas catch fire in the minds of men, not because they are new and logical but because they express clearly what people feel but cannot quite themselves make known.

George Bernard Shaw provocatively said that art is propaganda. It is this but far more. In a democratic society, art is politics in the widest sense, a celebration of common values which sweeps away the old and clears the way for the new needs of man.

This does not mean that artists are consciously political in the modern use of the term. In fact, the moment an art becomes consciously political, it usually ceases to be art. The pamphleteer is not an artist because he knows rationally exactly what he wants to say before saying it. He may express new values but they are communicated on a mechanically logical level. There is no bridge of feeling between the old and the new for the mass of the people, still struggling to understand their own feelings, to make the crossing. Art does not lead the needs of man; it expresses them and man, whose evolution is on a social and economic level rather than a physical one, can develop further because he then knows clearly where he is. He recognizes as his the values expressed by the artist.

But some artists do not communicate in their own time. They may lead the way for other artists to follow but they themselves may be a little too far ahead of their time. These artists are sometimes called “important” as distinct from “great”, the universally recognized artists who signify a whole epoch or “celebrate” a common feeling.

Both kinds of artists can be dangerous to the established powers but the “important” artists are more easily destroyed than the “great” ones. They are less supported, less recognized and their deaths provoke less reaction.

The Un-American Activities Committee could not destroy Charles Chaplin or Arthur Miller nor could the Soviets destroy Yevtushenko but artists with less recognition, ahead of their time and people, are frequently destroyed in the power struggles of the world.

President Allende did not have the control of the Chilean parliament or of the army and his own political programme did not have the understanding of the peasants. He was supported as a leader and all this suggests that he was not really the spokesman for the people. The intellectuals and artists who supported him were therefore not truly representative of the people; they were a little before their time. Victor Jara died because his death meant a delay in his ideas developing among the people. Had he been expressing true national feelings, his martyrdom would have been too dangerous because of the possible reaction. More importantly, his martyrdom would have been irrelevant because his values would already be held by the majority of people anyway.

Throughout the world, the fate of the Allende administration has been hailed by the left and the right wings as an illustration that a majority of people cannot change society by democratic and constitutional methods. In actual fact it merely illustrates the futility of a vanguard group trying to lead an ignorant mass of followers into a change which the majority do not understand. When you can destroy a leader and destroy a cause, destroying a leader is obviously the best solution.

A second moral can be drawn. We must learn to respect and protect our artists whatever their political opinions. A society which neglects them is destroying its capacity to change.

Mark Fury, 

S. P. of New Zealand

Letter: Pete Seeger again (2010)

Letter to the Editors from the September 2024 issue of the Socialist Standard

Pete Seeger again

Dear Editors

For a nonagenarian, Pete Seeger sure possesses some staying power. First Roy Beat and now Stephen Shenfield (June and August issues) have gone into print, both missing the main thrust of the March article. Instead, they laser-in on my flippant swipe at the Left’s perennial practice of hijacking every convenient bandwaggon –”good cause” – to promote itself.

In no way was I “dismissing” or “belittling” the Civil Rights Movement as they suggest; merely noting its inbuilt shortcomings. A southern negro could, of course, be summarily lynched for much less than displaying revolutionary tendencies; a reluctance to step into the gutter or an admiring glance (“rape”) sufficing.

All of us abhor Capitalism’s myriad injustices and obscenities but recognise that the solution begins with a rational understanding of the root causes rather than an emotional piecemeal assault on their effects. Is this “Sectarian”? Having pored long and hard over my dictionary, I can only conclude that in commonsense everyday terms it’s nothing of the sort. Personally I’m happier with “Socialist”.

Andrew Armitage

Cannon fodder needed (2024)

From the May 2024 issue of the Socialist Standard

In The Big Engine, by sci-fi writer Fritz Leiber, the protagonist posits his theory that people were ‘just machines, set to do a certain job and then quietly rust away.’

So no surprise to find a capitalist-supporting politician appealing to the hang ‘em, flog ‘em brigade who begrudges ‘their’ taxes keeping the ‘work-shy’ in supposed idle luxury whilst they themselves resent their wage slavery drudgery.

‘Young jobseekers who repeatedly turn down work should be conscripted for two years’, a Tory MP has said. Richard Drax, a member of the Commons Defence Select Committee, said there is a growing issue with work-shy youngsters: ‘In some cases, particularly among some of the young, they have got to a point where, for whatever reason, they’re not prepared to contribute to our country and to serve their country. If they can’t be encouraged to do that, then maybe we’ve got to a point where they should be told to do so.’

What would, once upon a time, be surprising is that Labour Party politicians, (not even making a pretence at being a working-class party any more), is as evangelistic in its support for the capitalist system and for capitalists.

Not only does capitalism need bodies, to produce and to be exploited, but it also needs cannon fodder.

The ‘war machines’ are becoming more vociferous and more insistent. Many more establishment voices, here and abroad, are ingraining the idea of a forthcoming war – probably with Russia and the necessity to protect the Motherland, ie, capitalist interests, either through voluntary swelling of the military or through compulsion. Understandable if, as an exploited class, you ask, in the manner of the The People’s Front of Judea, what’s the motherland ever done for us?

Richard Drax lays it out plainly – ‘And if they’ve refused three offers of a job, or whatever the number would be, and they say ‘I’m sorry, I’m not doing any of that’, you then say – in which case you must go and do two years in the Armed Forces’ (Daily Express 12 March).

Sir Alex Younger, an ex-head of MI6: ‘Britons have been “infantilised” since the end of the Cold War and the Government should consider having the power to “compel” people to serve’ (MailOnline 5 April).

General Sir Patrick Sanders, the outgoing Chief of the General Staff opined that ‘British citizens should be ‘trained and equipped’ to fight in a potential war with Russia – as Moscow plans on ‘defeating our system and way of life.’ It’s not known if he was pointing his finger Lord Kitchener style when warning that ‘increasing army numbers in preparation for a potential conflict would need to be a ‘whole-of-nation undertaking’.’

SkyNews said the comments are being read as a warning that British men and women should be ready for a call-up to the armed forces if NATO goes to war with Russia. It comes after Defence Secretary Grant Shapps said in a speech earlier that we are ‘moving from a post-war to pre-war world’ and the UK must ensure its ‘entire defence ecosystem is ready’ to defend its homeland.’

The Estonians, no friends of Russia given their history, are also adding fuel to the conflagration. The Estonian Prime Minister Kaja Kallas said in a BBC interview: ‘We have a reserve army of 44,000 people. That would equal for Great Britain around two million people. Two million people who would be ready to defend their country, who know what they have to do’ (Daily Express 4 April).

In Ukraine at the beginning of the year, the former Commander-in-Chief of Ukraine’s army Valerii Zaluzhnyi said that the army needed another 500,000 soldiers: ‘Ukrainian President Volodymyr Zelensky has signed a law that will lower the country’s minimum conscription age from 27 to 25, potentially boosting the number of men available to fight Russia’s invasion. A statement published by Parliament upon passing the law in 2023 said it was “inappropriate” that “a significant number of citizens” who were fit for military service could not be called up, despite the present need, under martial law. Martial law also prohibits most men between the ages 18 and 60 from leaving Ukraine, unless they are deemed unfit for military service for health reasons or have an exemption’ (CNN 2 April).

Sensibly following the example of many American young men who, during the Vietnam war, chose to absent themselves from America, many Ukrainians have adopted ‘flight not fight’: ‘Approximately 650,000 Ukrainian men aged 18-60 have left Ukraine for Europe since the start of Russia’s illegal invasion of Ukraine in February 2022′, BBC Ukraine reported. Citing data provided by Eurostat a report notes over half a million male refugees are currently residing in the 27 EU member states, as well as Switzerland, Liechtenstein, and Norway, many of whom are undocumented. In Germany, it is estimated that 100,000 unregistered individuals are residing in the country, while in Austria at least 14,000 Ukrainian men arrived using forged documents or the services of smugglers.

Under martial law, Ukrainian men between the ages of 18–60, with some exceptions, are not allowed to leave the country because they could be called up for military service. As Ukraine faces the challenge of maintaining adequate military personnel, recent reports indicate that nearly 20,000 Ukrainian men have managed to evade conscription, finding various routes to leave the country’ (Kyiv Independent).

John Richards’s song, Don’t Despise The Deserter, about a soldier who is executed by his country, has historical precedents. Three hundred and six British and Commonwealth soldiers were executed by the state in World War One.

‘So I ran from the fighting, and I threw down my gun,

I ran by the moon, and I slept with the sun.

Arrested by government, charged by the king,

To be shot, ’cause I can’t kill in order to bring

Peace to a foreign land.’

Less about peace and more about capitalism.

Don’t let yourself be persuaded to become cannon fodder for the capitalist class.

Dave Coggan

SPGB Meetings (1958)

Party News from the April 1958 issue of the Socialist Standard

SPGB Meetings (1958)

Party News from the September 1958 issue of the Socialist Standard

The Old Lie (2023)

From the April 2023 issue of the Socialist Standard

‘Dulce et Decorum est pro patria mori’ – It is sweet and fitting to die for one’s country – is taken from an ode by the Roman poet, Horace. There are lots of sick people in the world who would agree with Horace. Just so long as they’re not the ones doing the fighting and dying. Politicians, deluded nationalists, arms dealers, arms manufacturers, as currently is the case in Russia and Ukraine. Wilfred Owen responded:

…If you could hear, at every jolt, the blood

Come gargling from the froth-corrupted lungs,

Obscene as cancer,

bitter as the cud 

Of vile, incurable sores on innocent tongues,—

My friend, you would not tell with such high zest

To children ardent for some desperate glory,

The old Lie: Dulce et decorum est pro patria mori.

In August 1914 the SPGB had already declared:

Having no quarrel with the working class of any country, we extend to our fellow workers of all lands the expression of our good will and Socialist fraternity, and pledge ourselves to work for the overthrow of capitalism and the triumph of Socialism. THE WORLD FOR THE WORKERS!

In the mid-sixties Barry McGuire was growling ‘We’re on the eve of destruction.’ We’ve been on the eve ever since the first American-produced atomic bomb was exploded on Japan in 1945. Twice.

At the same time, Donovan was singing about the effects of nuclear war:

Cities full of people burning, screaming, shouting loud, 

And right over head, a great orange mushroom cloud. 

Now there’s no more war 

For there’s no more world.

Heavy metal bands were also producing anti-war songs.

As the mad men play on words, 

And make us all dance to their song,

To the tune of starving millions, 

To make a better kind of gun. 

(Iron Maiden, Two Minutes to Midnight )

Politicians hide themselves away, 

They only started the war,

Why should they go out to fight? 

They leave that role to the poor, yeah’

(Black Sabbath, War Pigs)

War, I despise, it means destruction of innocent lives

War means tears to thousands of mother’s eyes when their sons go off to fight

and lose their lives.

It’s an enemy to all mankind…

Peace, love and understanding, tell me, 

Is there no place for them today?

They say we must fight to keep our freedom but there’s got to be a better way,

War, What is it good for? You tell me (nothing)

Stand up and shout it (nothing). 

(Written by P F Sloan, performed originally by Edwin Starr)

Folk singers too:

I learned our Government must be strong; 

It’s always right and never wrong; 

Our leaders are the finest men, 

And we elect them again and again.

War is not so bad;

I learned about the great ones we have had.

(Written by Tom Paxton, performed originally by Pete Seeger)

(Written by Tom Paxton, performed originally by Pete Seeger)

Donovan sang:

He’s the Universal Soldier and he really is to blame, 

His orders come from far away no more, 

They come from here and there and you and me, 

And brothers, can’t you see?

No, individuals are not to blame for war. Capitalism is. In 1935, Major General Smedley Darlington Butler, an American who had taken part in many military campaigns had an epiphany. He spilt the beans, listing the various countries he had worked in and the capitalists whose interests the military was working for: oil, banks, Wall Street, fruit companies. He described himself as a ‘gangster for capitalism’.

Karl Marx’s words that ‘The philosophers have only interpreted the world, in various ways. The point, however, is to change it,’ remain even more relevant today. The time is long past for us all to change it for the better.

Charles Dickens’s Scrooge asked the Ghost of the Future, ‘Are these the shadows of the things that will be, or are they shadows of things that may be, only?’ Response: ‘Men’s courses will foreshadow certain ends, to which, if persevered in, they must lead.’

Dave Coggan

Blogger's Note:

I think there was a bit of a mix-up in the editing of this article. 'War' by Edwin Starr wasn't written by P. F. Sloan. It was written by Norman Whitfield and Barrett Strong. And it wasn't performed originally by Edwin Starr. It originally appeared on The Temptations album,  'Psychedelic Shack'. 

P. F. Sloan did write Barry McGuire's 'Eve Of Destruction'.

Songs and Revolution. (1927)

From the September 1927 issue of the Socialist Standard

In the course of our work as Socialist propagandists we frequently come in contact with people who appear to imagine that the bulwarks of capitalism will collapse as the result of much lusty singing of the “Red Flag.” No “Labour” meeting is considered a success unless this or some similar ditty is borne upon the night air, with or without orchestral accompaniment. What the arguments presented at such gathering’s lack in logic is amply made up for by vociferation. This attitude of mind recalls the legend of the Walls of Jericho falling before the blasts of the trumpets of the Children of Israel. In fact, idealism generally has its roots far back in the magic past, although it serves a very useful purpose to the capitalist class of the present day, as we shall endeavour to show.

The following is an extract from an article in the “Daily Chronicle” of July 20th entitled, “Music; the Life Force,” by Dr. Leigh Henry :

“The French Revolution was the outcome of a reaction in music.

When Rouget de Lisle wrote “La Marseillaise” he roused the people to such an inflammatory pitch that they rose in arms and overthrew their tyrants, only to create a greater and more powerful one; but it was a German, Theodore Korner, who brought about the downfall of Napoleon by going among his countrymen and singing to them old folk songs and poems of revolt which past generations had handed down.”

Dr. Leigh Henry may be an authority on musical forms, but his notions of history are laughable. He might as well ask us to believe that the War and the Allied victory in 1918 were due to the influence of “Mademoiselle from Armentiers,” or “It’s a Long Way to Tipperary” ; but let us examine his illustration a little more closely.

The French Revolution resulted in the triumph of the Third Estate (or middle class) over the feudal nobility, with the monarch at their head. The convocation of the National Assembly, the imprisonment and eventual execution of the Royal Family, the war with Austria, and Europe generally, were simply events in the struggle for supremacy of the bankers, merchants, shopkeepers and manufacturers in the towns, assisted by the lawyers and by the peasantry in the country at large. As this, that, or the other section of the insurgent mass asserted itself, so group after group of leaders were pushed forward or thrust aside.

All the so-called great men of the epoch from Mirabeau to Napoleon were simply the tools, conscious or otherwise, of the rising class.

At this period, owing to the undeveloped state of French industry, the number of wage-workers in the country was comparatively small, and their political influence, such as it was, fell into the scale on the side of the capitalist revolutionaries. The peasants hankered after the land, and did in fact secure a greater degree of control than they had till then possessed; but the richest estates, including those of the clergy, were seized by the Government and auctioned off to the highest bidders. Thus the poor remained poor. Instead, however, of performing forced labour for the aristocrats, they commenced to slave to fill the pockets of the tax-gatherer and the usurers.

On this basis was erected the First Empire, and the problem of a bankrupt national exchequer was solved. No sooner had they dealt with their feudal enemies at home than the French capitalist class found themselves set upon by the remaining feudal monarchies of Middle and Eastern Europe and the capitalist government of Britain; the former feared the spread of the Revolution, the latter could hardly favour the rise of a new commercial competitor.

Conscription filled the armies of Napoleon as taxation filled his purse. Nevertheless he was idolised by the very peasantry who bled for his glory, both financially and physically.

The “Marseillaise,” which inflamed the imagination of the insurgent capitalists, became the National Anthem in the hour of their triumph, and in spite of temporary eclipses, still holds that place of “honour.”

That the German folk-songs assisted in stimulating the more simple-minded of the German peasants to enable their overlords to regain their lands and power from the hated upstart, Napoleon, may be granted; but the actual force which mobilised the German armies was the same pressure which every ruling class is in a position to bring to bear upon its slaves. In other words, the musical accompaniment of historical events plays a secondary part in determining their character.

The primary factor is the economic development of the society concerned.

The “Marseillaise” or “God save the King” would be quite unintelligible to the inhabitants of Central Africa or the South Sea Islands, owing to their totally different stage of development and mode of life, giving rise to different groups of ideas, including notions of musical taste and methods of expressing emotion.

Similarly, the barbarians celebrate birth, initiation, marriage, war, and death with rhythmic monotones which appear positively weird to the European. They may haunt him, but he would hardly describe them as melodious. The nearest approach to their effect is that of the Church chants, which are little more than modified survivals of the dirges droned out by the slaves in the catacombs of Rome. In the ancient and medieval worlds, music was practically inseparable from religion, first of the pagan, later of the Christian variety.

Even the lays of the troubadours combined profanity with mysticism; as the bloody sagas of the Norsemen would be incomplete without reference to the gods of Valhalla.

With the grand operatic masters of the 18th and 19th centuries a change is evident. From Mozart to Wagner they all exhibit the influence of the economic and political upheaval which characterised their age.

The rise of the capitalist class was reflected in the musical world by the triumph of the secular principle. The church choir gave way to the stage chorus, which provided an enhancing background for the efforts of individual vocalists.

The destruction of the old village life by modern industry spelt the death knell of the ballad and the folk-song. These mediaeval modes of expression have been supplanted by the music-hall ditty, while the negroes of America have avenged their enslaved ancestors by infecting their 100 per cent. American masters with jazz tunes and “spirituals.”

This interesting resurrection of the primitive seems to indicate that capitalism has reached the limits of originality in art, just as, on the economic plane, it condemns the masses to an ever-worsening standard of living. To avoid misunderstanding, the writer would add that, while jazz has much that can be said in its favour when compared with the stilted products of the Victorian epoch, it nevertheless represents a reaction rather than an advance. It is a symptom of the decay and break-up of the classical musical tradition, but it gives little indication of what will take its place.

The struggle of the working class for emancipation has yet to make its mark, but when it does it can hardly leave the dance-hall and the theatre as it finds them. As the workers acquire leisure, they will develop their critical faculties in other directions besides that of economics. When they enter freely into possession of the fruits of their labour, they will have something to make a song about. Till then, perhaps, we shall have to put up with the “International” and the “Red Flag.”

Eric Boden

A utopian vision (2006)

Book Review from the February 2006 issue of the Socialist Standard

Omasius Gorgut: Poor Man’s Heaven: The Land of Cokaygne. Past Tense Publications. £1.00. (Available from Past Tense Publications, c/o 56a Info Shop, 56 Crampton Street, London SE17. Postage 30p.)

The Land of Cokaygne, reprinted as a modernised verse in this pamphlet, is a 14th century utopian image of an earthly paradise, largely created by serfs, which became a popular song or ballad. This pamphlet puts it into context, linking it with other stories and songs of the time and later.

In the Land of Cokaygne there is “joy and green delight”. There is nothing good but fruit to bight. Indeed,

“In Cokaygne we drink and eat

Freely without care and sweat,

The food is choice and clear the wine

. . .no land is like it anywhere,

Under heaven no land like this

Of such joy and endless bliss.

Many fruits grow in that place

For all delight and sweet solace,

. . .every man takes what he will,

as of right. . .

All is common to young and old,

To stout and strong, to meek and bold.”

The author of Poor Man’s Heaven notes that in most of Europe, in their folk tales and popular songs, the poor of the Middle Ages dreamed up a land where their sufferings were reversed, and where people lived in harmony and plenty without having to work. The Church, however, told them constantly that they could not expect, and should not dream of, a better existence in this life; but that paradise existed for them in another, after death. Utopian dreams appeared not just in England, but in France, in Ireland, in Medieval German legends, in Holland, and in Celtic mythology. The author suggests that early popular medieval utopias may be pre-Christian.

Interestingly, the Land of Cokaygne is enjoyed without effort. It stresses idleness rather than the largely unrewarded labour of the serf. As in much revolutionary utopian thought of the Middle Ages, in Cokaygne there is neither rich nor poor. There is equality says the writer, as in, “When Adam delved and Eve span, who was then the gentleman.” Of course, the peasants did not just dream, or sing, of a better world. Often they revolted, as in England in 1381.

The writer of Poor Man’s Heaven links the story of Cokaygne with the modern American songs The Big Rock Candy Mountain and Poor Man’s Heaven, where the barns are full of hay and there are streams of alcohol. “There’s a lake of stew and whisky too.” The singer is bound to stay where they sleep all day”. And in the Poor Man’s Heaven:

“There’s strawberry pie that’s twenty feet high

And whipped cream they bring in a truck. . .

We’ll eat all we please off ham and egg trees

That grow by the lake full of beer.”

This pamphlet is well worth reading, depicting as it does what, in the past, could only be a utopian vision of a better world.

Peter E. Newell

Blogger's Note:.

A longer review of the same book in the February 2014 issue of the Socialist Standard. 

Letters: Self-employed workers (2010)

Letters to the Editors from the July 2010 issue of the Socialist Standard

Self-employed workers

Dear Editors

I am writing in response to Tony Trafford’s letter (Socialist Standard, May) regarding self-employed status. I agree fully with the Editors’ response and analysis of the matter but wanted to add a couple of points.

As a self-employed skilled labourer in the engineering and construction industries, I do not fit in Marx’s capital-owning definition of the shop keeper and I think there is a clear definition to be made between self-employed small capitalists of the kind described by Marx and those of more modern times, like myself and indeed the subject of Tony Trafford’s letter, who merely supply their labour.

As such a person, I am in a similar if not worse position than an ‘ordinary’ employed person. I am not entitled to sick or holiday pay, my employment is not guaranteed down to a daily basis and all my costs for work (fuel, tools, telephone, etc) are my responsibility. As for exploitation, I neither employ and therefore exploit, any others and am contracted to be employed by others and therefore my labour is exploited by capital in the traditional sense. In reality my so-called ‘self-employed’ status merely refers to how I pay my taxes rather than any social or deeper economic definition.

D. Humphries, 

Sussex.

Pete Seeger

Dear Editors

Concerning Roy Beat’s letter (June Socialist Standard), I (mis)spent the 1960s immersed in the Folk Movement and recall nothing positive vis-à-vis the dissemination of Socialist knowledge. Politically the scene was one Leftist/Nationalist mess. Significantly Roy Beat fails to produce any contrary evidence.

The banjo’s early multi-racial history is common knowledge. However in the wake of the Minstrel Shows its image to many Negroes was tarnished and seeing one in the hands of yet another “condescending white, liberal Yankee” arriving to “emancipate” them was further aggravation.

The significance of the inverted commas around “good causes” appears to have evaded him. Socialists recognise the serious limitations of the Civil (and Woman’s, Gay etc) Rights Movements and how at best they can only aspire to parity with their white, male, heterosexual Working Class counterparts within Capitalism. The solution, of course, is Socialism. Who would need “rights” where common ownership and free access prevailed? Likewise, the anti-Vietnam War Movement dealt only with the specifics of that event; not the underlying causes of war at large. On what possible basis therefore could criticising all of this be deemed “sectarian”?

I have much time for Pete Seeger both personally and musically: politically, I have little.

Andrew Armitage, 

Scotland

Ballots or bullets?

Dear Editors

Your candidate (for Vauxhall) in the election was to my mind only propping up the outdated evil system with money.

It would have been far better to have spent the cash on leaflets informing the people whatever party they vote X for it will not be in their interests.

The state will never give over power to the workers – the mass of the people have to take power. If one wants something in this life, you have to fight to get it.

R. Bloomfield, 

London SE5

Reply: 

It is true that we did have to forfeit our deposit of £500 and that that went to the capitalist state but, as a party contesting the election, our election address was distributed free by the post office to 56,000 households in Vauxhall. Besides arguing the case for socialism, the leaflet did make the point you mention about the other parties.

We agree that if you want anything under capitalism you have to struggle for it, if that’s what you mean by “fight”. If by “fight” you mean take up arms we don’t agree. It’s just not true – for instance, workers can and do get higher wages and better working conditions without taking up arms. We do think that socialism can be established peacefully but getting there will have to involve a determined political and ideological struggle –  Editors.

Letters: Trend to fascism? (2010)

Letters to the Editors from the June 2010 issue of the Socialist Standard

Trend to fascism?

Dear Editors

 The letter from David Lee (April Socialist Standard) in calling for a socialist government shows a lack of understanding – that socialism means an end to government and governed – but you are too dismissive of his seeing the inherent trend of capitalism to fascism. The “ideal” of fascism is not necessarily the pre-war examples of Germany and Italy. The philosophy of fascism is the corporate state, the well-ordered state, where the most able, that is by their own definition, assume the positions of power in politics and industry etc. The majority accept that their position is due to their being less able and grateful to accept their position as decided by “natural abilities”.

 Other ways of describing this attempt of natural selection of order in society are meritocracy and equality of opportunity. So this sorts out the order of society by “natural” rule and a “benign” ruler or ruling class makes the nation as one. Classes are dismissed because the order of society is as it should be. The division between capitalists and workers is again presented as the natural order so fascism can claim it is a classless society. This obfuscation between the owing class and the majority is the common good of the whole nation, that the interests of all as are of one. A phrase which appears regularly to plaster over this is “the third way” to mean a way which is neither capitalism nor socialism, but taking the best elements of each. Blair used it early on in his career, those in the social sector – or third sector of co-ops and the like, even Ted Heath in his attempt to square the circle in his conception of corporate capitalism – the human face of capitalism. But the earliest use of “the Third Way” was the NSDAP considering this before settling on “the Third Reich” (see Michael Burleigh’s A New History of Nazi Germany).

 Bismarck’s Germany, sometimes called state capitalism by Lenin already exhibited all the signs of “benign” fascism and was probably as formative to Hitler as to Lenin/Stalin. That Lenin thought state capitalism was the route to socialism and acknowledged the greater power of state capitalist Germany had beaten Russia was enough to show two apparently diametrically-opposed dictatorships grow as fascism.

 But probably most prescient was Marx in the Communist Manifesto what could be seen as the development of what was to be called fascism, the reactionary becoming radicalised in German or “True Socialism” which presaged the “eternal truths, the model nation”, opposing the “brutally destructive” tendency of Communism. And so on, I won’t repeat it all but summed up as the bombastic representative of the petty bourgeois Philistine. Which is as good a description of the true nature of fascism as any.

 So, yes, the expressions of fascism of the pre-war variety are not visible, at least on the surface, but aside from this the tendency for fascist thought lingers in every cell of capitalism, from the infantile individuals you sometimes meet who always have a ready list of sexist, racist, anti-Semitic “jokes” to share with guilty pleasure often on their mobile phones to the more discreet smoothing over by politicians whose job, if it can be called that, is to confuse the majority that it’s in all our interests to do whatever are the problems of the moment. To blur over the divisions in society and represent the nation as symbolic as Unity, the problems of capitalism are all our problems, we are all in it together – the National interests (sic or sick).

 The well-ordered nation state is the capitalists and politicians’ dream and aspiration, the corporate state of successful regulation of private and state undertakings, the self-defined meritocracy and the worker held in wage-slavery, happy to accept his or her lot in the best of all possible worlds.

 This is fascism in “idealised” form but capitalism’s also on a tendency towards it. But even if this should appear attractive to the petty-bourgeois Philistines it always comes along with the horrors experienced in the 20th century.

 Effectively, as for as real alternatives are concerned, this turns the country into a one-party state, the consciousness of the majority is formed by the prevailing accepted norms of society, education, the press, the whole structure of production. This is as effective for control as any secret police and more acceptable as being “democratic” than totalitarianism – you get to leave a mark every few years, that’s democracy, isn’t it?

Stuart Gibson, 

Wimborne, Dorset

Reply: 

We still think it’s an exaggeration (and misleading) to refer to present-day Britain as “fascist” – Editors.

Pete Seeger

Dear Editors

 As regards the article on Pete Seeger in the March Socialist Standard, isn’t it about time we looked at the positive rather than the negative aspects of the folk revival in the US?

 To quote from the article: “The 1960s saw Seeger affiliating with the current ‘good causes’, plucking his banjo at Civil Rights rallies (an unfortunate instrument, given Negro memories of stereotypic minstrel shows) and supporting the Anti-Vietnam War movement”.

 The banjo in American music was played by both blacks and whites and goes back to a time when music was more integrated, before the minstrel shows.

 Civil Rights was more than just a good cause. It was a colossal task to say the least. When people like Seeger sang at freedom rallies in the southern states they were putting themselves on the line, and to be dismissive about the role they played is sectarian. Anybody that fails to see the importance of music in the Civil Rights/Anti-Vietnam War movement is not really looking at the role it actually played.

Roy Beat, 

London SE27.

Attila (2012)

Attila the Stockbroker

Music Review from the August 2012 issue of the Socialist Standard

Attila the Stockbroker is currently on tour in Britain, with Rory Ellis.

Rory Ellis is a singer-songwriter-guitarist from Melbourne in the urban folk tradition who sings about street life, referencing the notorious nightclub ‘Bojangles’ and criminal “Chopper” Read. Rory’s ‘Skeleton Hill’ is about the gold field heritage site in Victoria in danger of becoming a quarry. His ‘Waiting for Armaguard’ is a witty and touching song about working-class longing for some material wealth. Rory shows the audience that his fingernails are painted in the black/red/gold colours of the Aboriginal flag.

Attila has said that seeing The Clash at the Rainbow in 1977 politically inspired him. He sings his eulogy for Strummer entitled ‘Commandante Joe’ during the gig. He, like others on the Left and anarchists like Class War have a tendency to personalise the iniquities of capitalism in the person of Mrs Thatcher. His song ‘Maggots 1, Maggie 0’ is a good example of this.

Attila is steeped in labour history, referencing Peterloo, the Chartists, and Tolpuddle.  His song ‘An honour not a stain’ is about transportation to Botany Bay. In 2005 he appeared at the Levellers Day in Burford. He sings ‘The world upside down’ about the Levellers/Diggers of the 1649 English Revolution. A more contemporary song is ‘Looters’ about the financial capitalists of the City.

Attila has expressed his support for the ‘socialist’ government of the People’s Democratic Party of Afghanistan (PDPA) who ran Afghanistan with USSR support from 1978-92 and this is recounted in his song ‘Mohammed the Kabul red’. He has no love for New Labour singing “ New Labour, fuck off and die” and has called it a “travesty of a socialist party”. He described the 2003 Iraq War as a “hideous imperialist crusade”. During this tour Attila is writing a column for the Morning Star, the newspaper of the Communist Party of Britain (former CPGB). The Morning Star describes Attila as “a non-aligned Communist and a good friend of the Morning Star”. He describes himself as a “freelance leftie”, and others have called him “an anti-fascist social surrealist rebel performance poet”.

Attila’s website carries a photograph of himself and his band mates in front of the Karl Marx monument in Karl Marx Stadt in the former DDR. He has written that “it is up to us, the people, to determine the future and to take power away from the bastards who would destroy our hopes, our communities, our world”. It’s a shame he gives his support to reformist policies and state capitalism.

Steve Clayton

Film Review: Searching for Sugar Man (2013)

Film Review from the September 2013 issue of the Socialist Standard

Searching for Sugar Man (2012). Directed by Malik Bendjelloul.

The American Dream is that anyone can succeed if they try hard enough. That didn’t happen for Sixto Rodriguez, a 1970s Detroit singer-songwriter combining the voice of James Taylor with the lyrical ability of Bob Dylan. Firmly in the American folk-music revival counterculture, his songs spoke of working class struggles, hardship and inner city poverty. Maybe it was his Hispanic name, maybe (and unlike Dylan) it was the humility so uncommon for a performer of extraordinary talent.

A mere six sales of two albums meant he was dropped from his label two weeks before Christmas 1971. As Rodriguez returned to poverty working various construction and labouring jobs, his albums took off in South Africa. There he was bigger than the Rolling Stones and his song’s anti-establishment sentiments helped provide the soundtrack for the end of apartheid.

The music industry cheated him of royalties for a reputed half a million sales in South Africa. Unaware of his success abroad, and still living in poverty, Rodriguez made an unsuccessful attempt to become Detroit city mayor, his name was even spelt wrongly on the ballot. Rumours of his on-stage suicide prompted two South African fans to investigate what happened to him. This Academy award winning and Sundance festival winning documentary doesn’t tell the whole story, but it is beautifully presented and what a story.

DJW

Mixed Media: Dick Gaughan: Exmouth Arms, London (2013)

Dick Gaughan in concert.

The Mixed Media column from the November 2013 issue of the Socialist Standard

Dick Gaughan, the singer-songwriter, recently played at The Cellar Upstairs folk club at the Exmouth Arms, Euston in London. Gaughan, of Irish descent was brought up in the musical traditions and culture of the Gaels; the Scots and Irish in the port of Leith near Edinburgh.

Gaughan began his recording career in 1972 in the Scots-Irish celtic band, The Boys of the Lough, played with Brian McNeill, fiddle player with The Battlefield Band, recorded a tribute album to Ewan MacColl, recorded a tribute album with Bert Jansch to Woody Guthrie, duetted with Billy Bragg on The Red Flag on the album The Internationale, and worked with 7:84, the 'left wing agit prop' theatre group.

Gaughan interspersed his set with anecdotes of his life in music and slices of Scottish radical, nationalist and Irish socialist history. He tells the audience that somebody said he was an 'unreconstructed socialist'. His website lists Karl Marx, Lenin, John Lennon and Groucho Marx as influences, and he supports the Morning Star newspaper. His song Ballad of '84 describes the 1984-85 Miners Strike and salutes Miners leaders Arthur Scargill, Peter Heathfield, and Mick McGahey.

Gaughan performed The Yew Tree by Brian McNeill which describes the 1513 battle of Flodden, and also Calvinist John Knox. He performed Now Westlin Winds by the Scots bard Robert Burns and another Brian McNeill song No Gods (and Precious Few Heroes) which describes the defeat at Culloden. The song Thomas Muir of Huntershill by Adam McNaughton is about the Scots political radical Thomas Muir, supporter of the French Revolution, friend of Tom Paine, and who in 1794 was sentenced to 14 years transportation to Australia for high treason.

Gaughan performed the elegiac Song for Ireland by Phil & June Colclough, and then speaks of the James Connolly, 'Big Jim' Larkin and the 1913 Dublin Lock-Out which involved 25,000 workers and lasted five months. Connolly was a Scot of Irish descent like Gaughan, for a while a socialist in the Scottish Socialist Federation and later the Socialist Labour Party. Stephen Coleman wrote that Connolly's impossibilist ideas (socialism is impossible until the working class understands what socialism means) were an influence, among others, upon Jack Fitzgerald, a founding member of the SPGB in 1904. Connolly later abandoned this socialism and took up Irish nationalism and the armed struggle in the 1916 Easter Rising for which he was executed by the British.

Gaughan concluded his set with Geronimo's Cadillac by Michael Martin Murphey which describes how Indian land was taken by the White Man and the Indian people given capitalism in return.

Steve Clayton

Mixed Media: Bermuda Triangle Test Transmission Engineers (2014)

The Mixed Media Column from the March 2014 issue of the Socialist Standard

The Bermuda Triangle Test Transmission Engineers (BTTTE) are the live performance extension of a trio of sound artists: Melanie Clifford, Howard Jacques and Nick Wilsdon who produce the BTTTE radio programme for the London radio arts station Resonance 104.4 fm. Last October BTTTE presented their Little Red Set: ‘dialectical cabaret in song, sound and exquisite hope’ at the Club Integral at the Grosvenor pub in Stockwell, South London.

BTTTE sang in Magyar Hidegen Fujnak a Szelek (Cold Winds are Blowing), a Hungarian folk song, the music collected by Zoltan Kallos in 1969 in Ördöngösfüzes in Mezoseg, today in Romania. The folk song is a prisoners’ song, a yearning to be free, to break the chains of oppression, reminding us of the Magyar working class attempts at controlling their own lives in the 1919 Hungarian Soviet Republic or the 1956 Hungarian revolution which was crushed by the Russian Army.

The Song of Investment Capital Overseas written by Chris Cutler and Fred Frith of Avant-rock group Art Bears in 1980 is a satire on capitalist globalisation: ‘I empty villages, I burn their houses down, I set up factories, Lay out plantations, And bring prosperity to the poorer nations.’

BTTTE sang in German Epitaph 1919: Die rote Rosa written by Bertolt Brecht and set to music in 1928 by Kurt Weill as The Berlin Requiem: ‘Red Rosa now has vanished too. Where she lies is hid from view. She told the poor what life is about, And so the rich have rubbed her out.’ Marxist revolutionary Rosa Luxemburg was murdered by Freikorps troops during the Spartacist working class uprising in Berlin in January 1919.

The Spanish El derecho de vivir en paz (The Right to Live in Peace) was written by Chilean folk singer Victor Jara who was murdered in the coup which overthrew the Allende government in 1973.

They finished with The Internationale written by Eugène Pottier: ‘if these vultures disappeared one of these days, the sun will shine forever, this is the final struggle, let us group together and tomorrow the Internationale will be the human race.’ It was written during the 1871 Paris Commune, of which Edouard Vaillant wrote: ‘If socialism wasn’t born of the Commune, it is from the Commune that dates that portion of international revolution that no longer wants to give battle in a city in order to be surrounded and crushed, but which instead wants, at the head of the proletarians of each and every country, to attack national and international reaction and put an end to the capitalist regime.’

Steve Clayton

Woody Guthrie. Resonant Voice for the Downtrodden: Woolly-Eyed Lefty (2006)

From the July 2006 issue of the Socialist Standard

Curious things were afoot in Greenwich Village, New York City around the year 1960. Droves of earnest denim-clad youths could be observed traversing the streets, all affecting the same hunched posture and shuffling gait. From every clenched jaw a king-size sprouted and (curiouser and curiouser) each throat emitted the same sporadic dry cough. One such poseur, a Minnesotan balladeer, Robert Zimmerman, would presently win universal acclaim as Bob Dylan.

Curiously too, the template for all those cardboard cut-outs also happened to be in the vicinity. Just across the Hudson River, those five years past, he had languished in New Jersey’s Greystone State Institute. His name was Woody Guthrie.

As writer, broadcaster, political activist and composer of some one thousand songs, Guthrie had been famous long before the birth of any of his young impersonators although this had since faded and, anyway, was always heavily laced with both controversy and notoriety. Why then was an ailing, ageing figure suddenly the focus of such adulation that the very hackings of his tobacco-addled bronchial tubings were deemed worthy of reproduction?

Woodrow Wilson Guthrie was born in 1912 into a tragedy-prone family in Omaha, Oklahoma, being named in honour of the Democratic contender and President-to-be. Guthrie senior was an opportunistic businessman and Ku Klux Klan member whose racist views his son ingested and held well into adulthood. Mother, an unstable woman, was destined to die in the “insane asylum” from the hereditary condition then known as Huntington’s Chorea. In her more lucid moments however, she bequeathed Woody her rich musical heritage. She sang to him ballads of farmers, of sailors, of the humble triumphs and sorrows of ordinary people; an art-form that decades later, would find itself neatly sanitised, packaged, and marketed as “folk” music. At conception, unknowingly, she had also bequeathed him the Huntington’s genes.

Inevitably, this upbringing left its mark and young Guthrie developed into a decidedly maverick adult; as erratic in his business affairs as he was neglectful of his several wives, his numerous children, his personal presentation and hygiene. He developed also an enduring, and endearing, aversion to money, observing that “getting it turned people into animals and losing it drove them crazy”. Money to him was only ever a means of satisfying immediate requirements; any surplus being promptly squandered. At the height of his fame he would spurn lucrative contracts with the same panache that had seen his younger self regularly bestow entire evenings’ busking tips upon any convenient vagrant whose needs he perceived to exceed his own.

The final disintegration of the family unit saw a teenage Guthrie embark on an itinerant life, hitching rides and hopping freight trains across America, using his musical skills to access life’s basic necessities. He dossed in railway boxcars, under bridges, in hobo encampments, all the while adding to his repertoire. This would later constitute much of the romantic “Hard Travellin’” Guthrie legend but in reality it was a precarious existence, with regular harassment from the authorities; the next meal or bed a constant preoccupation.

There were an estimated 200,000 drifters and migratory workers during the 1920s, a figure which increased drastically in the 1930s as first the effects of the Great Depression then the Oklahoma Dust Bowl, bit deeper. This latter calamity, so graphically portrayed in Steinbeck’s magnificent novel, The Grapes of Wrath, saw entire communities forced off the barren land and on to the highways.  Guthrie was both moved by their plight and angered by the hostility shown towards them; the taunt “Okie” so widely used that it swiftly became the generic term for all “poor-white” destitutes.

Round the hobo campfires, Guthrie encountered grizzled, broken men; erstwhile members of the Industrial Workers of the World, muttering about there being a class struggle within society between the “rich” capitalists and the “poor” workers. In the finest of  leftist traditions, the IWW had been a chaotic outfit with little idea of what actually constituted socialism, nor indeed how it might be established; violent strike action and sabotage being foremost amongst its strategies. Its nickname, “Wobblies” was indeed apt.

The propaganda potential of both music and humour was however, recognised and its Little Red Songbook, largely parodies of Salvationist hymns, contained such gems as “The Pious Itinerant (Hallelujah I’m a Bum)” and “In the Sweet By-and-By” with its irreverent promise of “pie in the sky when you die”.

If nothing else, the IWW provided Guthrie with a simplistic political consciousness beyond which he never materially developed. More significantly, it lent a focus to his growing anger and taking his cue from the songbook, began creating his own material. In an anthology, “Dust Bowl Ballads”, he berated the “Vigilante Man” who would “shoot his brothers and sisters down”, lampooned the bungling incompetence of “these here politicians” in “Dust Bowl Blues” and mocked the preacher who, having first pocketed the collection, abandoned his flock with a “So Long it’s Been Good to Know Ya”.

Settling down briefly around 1937, Guthrie worked with the radical Los Angeles radio station KFVD. Here his racism underwent transformation; a Negro listener labelling him “unintelligent” for performing his “Nigger Blues” over the airwaves. Guthrie had used the term casually since childhood and was mortified. He apologised unreservedly, expunging the disgusting word forthwith from his vocabulary - although the “Japs” and “Wops” did continue to catch it in the neck for some time to come.

Back on his travels, it seemed to his open, if blinkered eyes that those striving hardest to assist the Okie refugees were “communists”. The American Communist Party had been founded in the wake of the 1917 Russian Revolution by an enclave of native radicals, Wobblies and immigrant Europeans, all mistakenly identifying it as somehow connected with the establishment of socialism - the reality being that it was simply one more chapter in the global triumph of capitalism over feudalism, taking in this instance, the form of state capitalism.

Routinely persecuted by a nervous government, it endured as a zealous, paranoid sect, but as the “Roaring Twenties” gave way to the “Hungry Thirties” following the 1929 Wall Street Crash, it effected some popular headway by depicting the apparent success of Stalin’s “planned” Soviet economy, with unemployment (officially at least) non-existent.

Then, following the Nazi triumph in Germany and the growth of Fascism elsewhere, the 1935 World Congress of the Communist International urged member parties to forgo their “ideological purity” and unite with other leftists in a Popular Front against this menace. Accordingly, the Party began to “Americanize”, becoming active, indeed dominant, in the labour union movement and supporting the 1936 election of “progressive” Franklin D. Roosevelt.

This then was the organisation that Guthrie embraced. Whilst never adopting actual membership, he sang at party rallies and contributed a rather folksy column, “Woody Sez”, to its journal, Peoples’ World. “I ain’t a communist necessarily,” he quipped, “but I’ve been in the red all my life.”

The Hitler/Stalin non-aggression treaty of August 1939 which caused such heartache for the Party faithful (and headache for its leadership), troubled Guthrie not the slightest. With the Popular Front now summarily dispatched, he blithely swallowed the spluttered explanation that Russia was simply pro-peace; not pro-Fascist. It was Roosevelt, instantly transmogrified from hero to villain, who was trying to drag America into conflict on behalf of British imperialism. “Pact sets peace example”, proclaimed the Peoples’ World. 

And when the “peace-loving” Red Army invaded Eastern Poland shortly afterwards, why, they were merely liberating the place. “Stalin,” sang Guthrie, “stepped in and gave the land back to the farmers.”

The German attack on Russia in June 1941 meant about-turn yet again and with America’s entry into the war six months later following Pearl Harbour, the Party became in a trice the most fervently patriotic of institutions; union organisation and strike action now subordinated to the overriding imperative for military success. “Sure,” reasoned our Woody, “the Communists change policy, but so do the Democrats and Republicans.”

Victory secured, the western alliance quickly foundered. Stalin denounced his former bedfellows as worse than Hitler, Churchill responded with his “Iron Curtain” speech and the Cold War was underway.

In an era of low unemployment and rising wages, the American left found itself in decline. Labour unions were now established in society, requiring pension fund managers rather than militants and among the newly-consumerist working class, a fear prevailed that its relative prosperity might be in jeopardy from leftism. Guthrie too was in decline, succumbing by degrees to the lingering horrors of Huntington’s Disease, dying eventually in 1967.

By the late 1950s, further societal change was underway. Following Eisenhower’s 1954 election, the “Great Red Scare” was evaporating and in the emerging teenage generation, an intellectual curiosity and idealism could be discerned, transcending the parochialism and acquisitiveness of its War-era parents. Political activism, particularly in the Civil Rights Movement reawakened and nonconformity of sorts, became acceptable.

Guthrie had somehow filtered into the “radical psyche” as a free-wandering spirit representing all things open, honest and unmaterialistic. His songs began to be listened to.

Tin Pan Alley too, had its role to play and profits to consolidate. Rock ’ n’ Roll had arrived some years earlier and had proved anathema to “White Middle America”, a subversive presence inciting youthful rebelliousness and promiscuity; the term itself Negro slang for sexual intercourse. For the first time, black musicians, Little Richard, Chuck Berry and others were accessing mass white audiences. Could the unthinkable happen and integration ensue?

Clean-cut Caucasians - the Kingston Trio, Peter, Paul and Mary etc, - churning out “folk” songs seemed a much safer option and from record stores everywhere wafted bowdlerised versions of “Oklahoma Hills” and “This Land is Your Land” - to the joyful ringing accompaniment of the cash register.

Woody Guthrie was never a socialist in any scientific sense of the word. He was however, manifestly “socialistic” in his whole outlook on life. “This land,” he sang “was made for you and me” and the fruits of his “Pastures of Plenty”, rightfully everyone’s.

He once wrote, “The worst thing that can happen is to cut loose from people and the best thing is to vaccinate yourself right into their blood….We have to get together and work and fight for everybody.” Hardly apocalyptic, but nonetheless sentiments with which socialists will heartily agree.

Andrew Armitrage