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We deconstruct a ‘classic’ film that is always shown on some TV channel over Christmas.
For those who don’t know, this is a Christmas film about a nice, elderly man – called Kris Kringle – who gets a job as a department store Santa Claus, but thinks he really is Father Christmas. Kringle befriends: a lawyer (whom he later moves in with); his girlfriend (whom he also works for at Macy’s department store); and her little girl from a previous relationship.
The story has two main plots that connect. The first is about a court case in which the lawyer has to prove that Kringle is the real Santa Claus in order to stop him from being put in a mental hospital. The second plot is about Doris (the single mother) who won’t let her daughter believe in Santa Claus or use her imagination in any way, because she wants her to have a realistic outlook on life. It’s not entirely clear why she decided to do this, but it has something to do with Doris’s husband/Susan’s father abandoning them both.
Even though this film is regarded by many as a Christmas classic, from a socialist point of view it’s terrible. Firstly, Kris Kringle is used as a metaphor for God, with the film being an allegory about why it’s important to have faith. In that respect, the famous ending of this film is what Americans would call a giant cop-out. The New York Post Office decides to send Kringle all the letters they get from children addressed to Santa Claus (they do this to cut down on their waste). Because of this, the judge rules in favour of Kringle due to the Post Office (a branch of the US government) recognising that he is Santa Claus.
The ending of the 1994 remake makes a lot more sense. In that version, Kringle is proven to be the real Santa Claus because ‘In God We Trust’ is written on US bank notes, which shows that if the US Treasury is allowed to put its faith in God on the currency – without the requirement of evidence that God exists – then the people of New York should be allowed to believe Santa Claus is real without evidence.
Another reason why this film is bad from a socialist perspective is because of a sub-plot in which Kringle uses his position (as the department store Santa) to advise parents to go to other stores to get what their children want for Christmas if Macy’s doesn’t have it. This leads to a lot of positive feedback from customers, and also to Gimbels (Macy’s main market rival) copying them. And, wouldn’t you know it, this leads to both stores making super profits, therefore, they don’t have to compete with each other anymore. How wonderfully reformist!
In conclusion, it’s not hard to see why this is regarded as a classic. However, it’s very preachy and believes that rival businesses can and should co-operate with each other in order to optimise the interests of both capitalists and customers.
Matthew Shearn
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