The Mixed Media Column from the June 2013 issue of the Socialist Standard
Simon McBurney directed the Complicite Theatre Company in a ‘phantastic’ dramatisation of the novel The Master and Margarita by Mikhail Bulgakov at the Barbican in London recently.
Bulgakov was writing in the USSR in the 1920-30s when Stalin ruthlessly pursued state capitalist industrialisation. Although Stalin personally liked the works of Bulgakov, the author faced prohibitions of his plays by Glavrepertcom (censorship committee) for concerning himself with the fate of intellectuals and Tsarists in the revolution and civil war. Bulgakov politically was a ‘liberal conservative monarchist.’
The Master and Margarita is a fantasy and political satire on Soviet society under Stalin and critiques the literary establishment, highlighting the corruption, greed, narrow-mindedness and paranoia in Stalinist Russia. Bulgakov looks at the relation of the individual artist to the state, censorship (‘manuscripts don’t burn’), the power of love, good and evil and human frailty. The novel was not published until 1966. Bulgakov was inspired by the play, Faust, by Goethe, the opera, The Damnation of Faust, by Berlioz, and his ‘Margarita’ is modelled after Goethe’s heroine, ‘Gretchen’ in Faust. In his ‘Confessions’ for Jenny and Laura Marx of 1865, Marx lists Goethe and Gretchen as his favourite poet and heroine.
Bulgakov has ‘Professor Woland’ (Lucifer) with his demonic two-legged black cat ‘Behemoth’ (Biblical monster in Job 40:15) visit Moscow where he exposes greed, bourgeois behaviour and the superficial vanities of modern life. Bulgakov portrays Satan’s Spring Ball where the notorious in human history such as Caligula are gathered with ‘the kings, dukes, chevaliers, procuresses, jailers, executioners, informers, traitors, and spies.’ In 1935 Bulgakov attended the Spring Ball at the US Ambassadors home in Moscow along with senior Bolsheviks such as Bukharin. The Master and Margarita was the inspiration for the Rolling Stones song, Sympathy for the Devil, and Salman Rushdie has credited the ‘magical realism’ of the novel as an inspiration for The Satanic Verses.
Bulgakov has a second plot involving the trial of ‘Yeshua Ha-Notsri’ (Jesus of the Nazarene sect) in ‘Yershalayim’ (Jerusalem) before Pontius Pilate, the Roman governor of Judea. Bulgakov was inspired by the parable of ‘The Grand Inquisitor’ in The Brothers Karamazov by Dostoyevsky. Bulgakov focuses on Pilate’s words as he washes his hands in Matthew 27:24: ‘I am innocent of the blood of this righteous person,’ and the debate between Jesus (‘wanderer and mad philosopher’) and Pilate is drawn from Pilate’s question in John 18:38: ‘And what is truth?’ This Christian theme is explicit in The Master and Margarita with Pilate’s spiritual need for Jesus spelled out clearly at the conclusion of the play.
Steve Clayton
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