What Joe Orton saw (2012)

Theatre Review from the November 2012 issue of the Socialist Standard

Joe Orton’s 1969 play, What the Butler Saw, was recently performed at the Vaudeville Theatre in London and starred Omad Djalli and Tim McInnerny. This farce by “the Oscar Wilde of Welfare State gentility” attacks petty bourgeois morality, sexual prudery, marriage, hypocrisy, conservative values, authority (“Accept your condition without tears and without abusing those placed in authority”), religion (“reject all paranormal phenomena. It’s the only way to remain sane”), psychiatry, and the police. Orton, influenced by Artaud, celebrates anarchy, the Dionysian pleasures of poly-sexual gratification and nymphomania, and delights in sadism, transvestism, ‘madness’, incest, gender identity confusion, and the base human appetites of lust for money and power.

What the Butler Saw has echoes of Sophocles’ tale of Oedipus and his mother/wife Jocasta, the ‘madness’ of Caligula, and the Carry On films. Orton wrote critically of the film, The Marat/Sade: “Let’s look at mad people. At queer people.” Interestingly, in his play there are no ‘lunatics’ just doctors, and he parodies the traditional Freudian psychologist. Freud was the bourgeois psychiatrist and defender of capitalism who went from an emphasis on Eros to Thanatos. It is only with Reich do we get psychoanalysis with Marxism and the development of psycho-sexual health for the working class. The 1960s saw a radical shift in psychiatry with the use of LSD therapy and the RD Laing ‘anti-psychiatry’ school. Fromm in The Sane Society identified the contradictions in capitalism between ‘having’ and ‘being’, and the need for a sane socialist society. Orton writes: “You can’t be a rationalist in an irrational world. It isn’t rational”.

Orton had no time for the ‘work ethic’ (“I resented having to go to work in the morning”), adopted a Nietzschean outlook (“reject all the values of society”), and disliked bourgeois capitalist society, writing with echoes of Reich that “sex is the only way to smash the wretched civilization, the only way to infuriate them, much more fucking and they’ll be screaming hysterics in next to no time”. He pungently added: “the old whore society really lifted up her skirts and the stench was pretty foul”. Orton also perceived the contradictions of bourgeois liberalism noting: “I don’t like the sort of liberal that is reactionary underneath”.

Orton satirises Britain’s ‘popular’ wartime leader Churchill who died in 1965. In 1967, Hochhuth’s play Soldiers implicated Churchill in the 1943 Sikorski crash. This member of the capitalist class is also responsible for miners killed in Tonypandy, anarchists burned to death in Sidney Street, 150,000 war deaths in Gallipoli, millions of deaths in the Bengal Famine of 1943, half a million deaths in Allied bombing of German cities, threats to machine gun strikers in the 1926 General Strike and the gassing of Kurdish rebels in Iraq in 1920.

In the 1960s the Lord Chamberlain would not allow Churchill’s phallus at the end of the play, so it was replaced with his cigar.

Steve Clayton